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Art --- -Art thefts --- 347.78 --- 7.061 --- 174.7 --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Forgeries --- Thefts --- Art thefts. --- Forgeries. --- Art thefts --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction
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Art
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Art thefts
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Crime prevention
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Marketing
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Forgeries
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7.075 --- Art thefts --- Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Forgeries --- Thefts --- Art thefts. --- Forgeries. --- -Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- -Art --- Art, Occidental --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction --- CRIMINOLOGIE --- ECONOMIE --- ART --- ESCROQUERIE --- PREVENTION --- FAUX --- VOL --- RECEL --- CRIME ORGANISE --- VANDALISME
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Art thefts --- Art --- Cultural property --- Art thefts. --- Forgeries --- Protection --- Forgeries. --- Protection. --- Cultural property, Protection of --- Cultural resources management --- Art robberies --- Art stealing --- Plunder of the arts --- Forgery of works of art --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Government policy --- Thefts --- Cultural policy --- Historic preservation --- Theft --- Counterfeits and counterfeiting --- Forgery of antiquities --- Property --- World Heritage areas --- Arts --- Aesthetics --- Reproduction --- Law --- General and Others --- Art, Primitive --- Visual Arts - General
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Museology --- forgeries [derivative objects] --- Aesthetics of art --- Meegeren, van, Han --- Art --- Forgeries --- Philosophy --- Faux --- Philosophie --- 7.061 --- 001.95 --- -Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- Wetenschappelijk bedrog en mystificatie --- Forgeries. --- Philosophy. --- -Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- 001.95 Wetenschappelijk bedrog en mystificatie --- 7.061 Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- -001.95 Wetenschappelijk bedrog en mystificatie --- Art, Occidental --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Beautiful, The --- Beauty --- Art and philosophy --- Reproduction --- Analysis, interpretation, appreciation
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Since the Second World War, art crime has shifted from a relatively innocuous, often ideological crime, into a major international problem, considered by some to be the third-highest grossing criminal trade worldwide. This rich volume features essays on art crime by the most respected and knowledgeable experts in this interdisciplinary subject.
Art thefts. --- Art --- Cultural property --- Vol d'objets d'art --- Biens culturels --- Forgeries. --- Protection --- Law and legislation --- Criminal provisions --- Faux --- Protection (Droit pénal) --- Art thefts --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Forgeries --- Criminal provisions. --- Protection (Droit pénal) --- Art forgeries --- Forgery of works of art --- Art robberies --- Art stealing --- Plunder of the arts --- Thefts --- Counterfeits and counterfeiting --- Forgery of antiquities --- Theft --- Reproduction --- Crime—Sociological aspects. --- Arts. --- Criminology. --- Criminal Law. --- Sociology of Culture. --- Crime and Society. --- Criminology and Criminal Justice, general. --- Criminal Law and Criminal Procedure Law. --- Sociology, general. --- Crime --- Crimes and misdemeanors --- Criminals --- Law, Criminal --- Penal codes --- Penal law --- Pleas of the crown --- Public law --- Criminal justice, Administration of --- Criminal procedure --- Social sciences --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Legal status, laws, etc. --- Study and teaching --- Culture. --- Criminal law. --- Sociology. --- Social theory --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Arts, Primitive
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This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
Culture --- Art. --- Culture. --- Gender. --- Crime --- Criminal sociology --- Criminology --- Sociology of crime --- Sociology --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Cultural studies --- Study and teaching. --- Sociological aspects. --- Sociological aspects --- Social aspects --- Female offenders. --- Art thefts --- Art --- History. --- Mutilation, defacement, etc. --- Forgeries. --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Defacement of art --- Mutilation of art --- Malicious mischief --- Mutilation --- Vandalism --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Delinquent women --- Offenders, Female --- Women --- Women criminals --- Women offenders --- Criminals --- Reproduction --- Defacement --- Thefts --- Motion pictures. --- Arts. --- Crime—Sociological aspects. --- Sociology. --- Audio-Visual Culture. --- Crime and Society. --- Gender Studies. --- Social theory --- Social sciences --- Arts, Occidental --- Arts, Western --- Humanities --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Arts, Primitive --- Art thefts. --- Women criminals. --- Art thieves. --- Thieves, Art --- Thieves
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