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606.1 --- epilepsie --- geneeskunde --- gezondheidszorg --- neurologie --- psychopathologie --- stripverhaal --- beeldverhaal --- strips --- B. David --- twintigste eeuw --- Frankrijk --- 741.5 --- Neurologie --- 741.571

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First book on documentary cinema's most innovative and influential director

Morris, Errol --- Criticism and interpretation. --- film --- filmgeschiedenis --- twintigste eeuw --- eenentwintigste eeuw --- filmregisseurs --- Verenigde Staten --- documentaire --- Morris Errol --- 791.471 MORRIS

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History of Congo --- folk tales --- Central Africa --- geschiedenis --- kolonialisme --- postkolonialisme --- België --- Congo --- twintigste eeuw --- eenentwintigste eeuw --- 94

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Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.

film --- filmtheorie --- twintigste eeuw --- semiotiek --- semiologie --- 791.41 --- Motion pictures --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History. --- History and criticism

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This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman's conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman's films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman examines these themes cinematically, through close analysis of eight films: well known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and important but lesser known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage.

Bergman, Ingmar, --- Bergman, Ernst Ingmar --- Criticism and interpretation. --- 791.471 BERGMAN --- Bergman Ingmar --- film --- filmgeschiedenis --- filmregisseurs --- filmtheorie --- twintigste eeuw --- Zweden --- Bergman, Ingmar