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Le Cours de peinture par principes a été publié par Roger de Piles un an avant sa mort. Il constitue un résumé de la doctrine artistique du XVIIe siècle et a modifié la façon de regarder la peinture, en privilégiant le plaisir du connaisseur. Ce texte fondamental est indispensable à la compréhension des théories qui se sont succédées jusqu'à la naissance de l'art moderne.
Painting --- Peinture --- Technique --- Art --- Enseignement --- Early works to 1800. --- 17e siècle --- Painting. --- Painting - Early works to 1800.
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History --- Antique, the --- Art --- Junius, Franciscus [jr.] --- Painting --- Art, Classical. --- Painting, Ancient. --- Art - Early works to 1800. --- Painting - Early works to 1800. --- antieke schilderkunst --- kunstliteratuur
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Les textes fondateurs sont rares. La Peinture est de ceux-là : ni recueil de motifs iconographiques, ni somme de recettes d'atelier, l'ouvrage procède à un " examen tout à fait nouveau de l'art de peindre ". Nouvelles, en effet, l'articulation de la théorie et de la pratique, la valorisation de la peinture comme " art libéral ", la distinction entre peintre-artisan et peintre-artiste. Nouvelle aussi, et surtout, la conception de l'historia, qui donne au discours de l'humaniste (d'un humaniste " parlant comme peintre ") toute sa portée philosophique et historique. Car, avec l'historia, Alberti définit un ordre pictural qui est aussi un ordre de la pensée et du savoir : la Représentation, dont le primat allait durer plusieurs siècles. Cette nouveauté conceptuelle est indissociable de l'invention d'un nouveau langage. Aussi la présente traduction suit-elle au plus près le texte latin, présenté en regard ; elle s'accompagne de la version italienne donnée par Alberti lui-même en 1436, de nombreuses notes, d'une introduction et d'un riche dossier, où le lecteur trouvera notamment un glossaire théorique ainsi que le texte (inédit en France) des Éléments de peinture. (extrait du dos de la couverture)
Painting --- Peinture --- Early works to 1800. --- Ouvrages avant 1800 --- Ecrit d'architecte --- Perspective-histoire --- Traité de peinture --- Humaniste --- Alberti, Leon Battista --- Painting - Early works to 1800.
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In this translation, the writings on religious painting by the Spanish painter Francisco Pacheco are for the first time made available to an English-speaking readership. The Art of Painting by Francisco Pacheco is an invaluable literary and theoretical source for the study of Spanish 17th-century painting; one of the major contributions of this book is the nine chapters, translated here, devoted to the issue of decorum in religious painting and the subject of religious iconography. Among the many subjects addressed in this book are Pacheco's own paintings, providing a rare insight into his artistic thinking, the reception of his paintings by a range of religious and secular authorities, and scholarly discussion of the historical basis for the iconography of subjects such as the Trinity, the Immaculate Conception, the Crucifixion and numerous saints including Sts. Jerome, Francis of Assisi, and Ignatius of Loyola.
Painting --- Painting, Renaissance --- Painting, Modern --- Christian art and symbolism --- Christliche Kunst. --- Ikonographie. --- Kunstkritik. --- Malerei. --- Painting. --- Ästhetik. --- Pacheco, Francisco, --- Painting - Early works to 1800
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Painting --- Architecture --- anno 1600-1699 --- Sculpture --- Peinture --- Early works to 1800. --- Early works to 1800 --- Ouvrages avant 1800 --- conferences --- Académie royale de peinture et de sculpture [Paris] --- Painting - Early works to 1800. --- Sculpture - Early works to 1800.
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Dix spécialistes de la théorie de la peinture, de la rhétorique et de l'esthétique se penchent sur ce texte fondateur de l'esthétique. Ils en analysent la dimension philosophique, moins marquée par un souci de métaphysique que par le déploiement de considérations anthropologiques permettant la compréhension des arts et de leurs paradoxes. ©Electre 2016
Dubos, Jean Baptiste --- Aesthetics, Modern --- Esthétique --- Dubos, --- Arts --- Poetry --- Painting --- Music --- History and criticism --- Dubos, Jean-Baptiste, --- Esthétique --- Aesthetics --- Arts - Early works to 1800 --- Poetry - History and criticism - Early works to 1800 --- Painting - Early works to 1800 --- Music - History and criticism - Early works to 1800 --- Aesthetics - 18th century --- Dubos, Jean-Baptiste, - 1670-1742
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Sculpture --- Painting --- Aesthetics of art --- Peinture --- Early works to 1800. --- Ouvrages avant 1800 --- Early works to 1800 --- -Sculpture --- -Stonework, Decorative --- Art --- Bas-relief --- Statues --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- -Early works to 1800 --- Theories Early works, c.1440. Latin-English parallel texts --- Sculptures --- Theories Early works, c.1470. Latin-English parallel texts --- Painting - Early works to 1800 --- Sculpture - Early works to 1800
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Painting - Early works to 1800 --- Mythology, Classical, in art --- Greek literature - Translations into French --- Painting --- Greek literature --- Mythologie ancienne dans l'art. --- Mythologie classique --- Mythology, Classical, in art. --- Painting, Greco-Roman. --- Painting. --- Peinture gréco-romaine. --- Peinture --- Dans l'art. --- Philostrate l'Athénien, --- Vigenère, Blaise de,
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Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.
Painting --- Aesthetics --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Philosophy --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Arts, Primitive --- Radio broadcasting Aesthetics --- Painting - Early works to 1800 --- Aesthetics - Early works to 1800 --- Arts - Early works to 1800 --- Figino, Giovanni Ambrogio. --- Italien --- Italia --- Königreich Italien --- Repubblica Italiana --- Italiya Respublikasi --- Italijos Respublika --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Regno d'Italia --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italy --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Painting
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"Federico Borromeo, Cardinal-Archbishop of Milan (1564-1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art, Borromeo recorded his reflections in two treatises." "De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of icono-graphical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection.
History --- Christian religion --- art theory --- Neo-Latin literature --- Art --- Borromeo, Federico --- Christian art and symbolism --- Christianity and art --- Painting --- Art et symbolisme chrétiens --- Christianisme et art --- Peinture --- Early works to 1800. --- Catholic Church --- Ouvrages avant 1800 --- Eglise catholique --- Pinacoteca ambrosiana (Milan, Italy) --- Art et symbolisme chrétiens --- Art and Christianity --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Milan. --- Ambrosiana Gallery (Milan, Italy) --- Symbolism in art --- 18.48 Neo-Latin literature. --- Art theory. --- Art, Renaissance. --- Christian art and symbolism. --- Christliche Kunst. --- Kristen konst och symbolik --- Kristendom och konst --- Kunst. --- Malerei. --- Målarkonst --- Painting. --- Religiöse Kunst. --- Ästhetik. --- Catholic Church. --- Romersk-katolska kyrkan --- Borromeo, Federico, --- Pinacoteca Ambrosiana Mailand. --- Pinacoteca ambrosiana (Milan, Italy). --- Christian art and symbolism - Early works to 1800 --- Christianity and art - Catholic Church - Early works to 1800 --- Painting - Early works to 1800
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