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Book
Cours de peinture par principes
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ISBN: 2070717259 9782070717255 Year: 1989 Volume: 150 Publisher: [Paris] : Gallimard,

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Abstract

Le Cours de peinture par principes a été publié par Roger de Piles un an avant sa mort. Il constitue un résumé de la doctrine artistique du XVIIe siècle et a modifié la façon de regarder la peinture, en privilégiant le plaisir du connaisseur. Ce texte fondamental est indispensable à la compréhension des théories qui se sont succédées jusqu'à la naissance de l'art moderne.


Book
De pictura veterum libri tres : (Roterodami 1694)
Authors: ---
ISBN: 2600001743 9782600001748 Year: 1996 Volume: 3 Publisher: Genève : Droz,

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Book
De la peinture
Authors: --- --- ---
ISBN: 2020662035 9782020662031 Year: 2004 Volume: *1 Publisher: Paris : Editions du Seuil,

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Les textes fondateurs sont rares. La Peinture est de ceux-là : ni recueil de motifs iconographiques, ni somme de recettes d'atelier, l'ouvrage procède à un " examen tout à fait nouveau de l'art de peindre ". Nouvelles, en effet, l'articulation de la théorie et de la pratique, la valorisation de la peinture comme " art libéral ", la distinction entre peintre-artisan et peintre-artiste. Nouvelle aussi, et surtout, la conception de l'historia, qui donne au discours de l'humaniste (d'un humaniste " parlant comme peintre ") toute sa portée philosophique et historique. Car, avec l'historia, Alberti définit un ordre pictural qui est aussi un ordre de la pensée et du savoir : la Représentation, dont le primat allait durer plusieurs siècles. Cette nouveauté conceptuelle est indissociable de l'invention d'un nouveau langage. Aussi la présente traduction suit-elle au plus près le texte latin, présenté en regard ; elle s'accompagne de la version italienne donnée par Alberti lui-même en 1436, de nombreuses notes, d'une introduction et d'un riche dossier, où le lecteur trouvera notamment un glossaire théorique ainsi que le texte (inédit en France) des Éléments de peinture. (extrait du dos de la couverture)


Book
On Christian iconography : selections from The art of painting (1649)
Authors: --- --- ---
ISBN: 9780916101893 0916101894 Year: 2017 Volume: 16 Publisher: Philadelphia : Saint Joseph's University Press,

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In this translation, the writings on religious painting by the Spanish painter Francisco Pacheco are for the first time made available to an English-speaking readership. The Art of Painting by Francisco Pacheco is an invaluable literary and theoretical source for the study of Spanish 17th-century painting; one of the major contributions of this book is the nine chapters, translated here, devoted to the issue of decorum in religious painting and the subject of religious iconography. Among the many subjects addressed in this book are Pacheco's own paintings, providing a rare insight into his artistic thinking, the reception of his paintings by a range of religious and secular authorities, and scholarly discussion of the historical basis for the iconography of subjects such as the Trinity, the Immaculate Conception, the Crucifixion and numerous saints including Sts. Jerome, Francis of Assisi, and Ignatius of Loyola.


Multi
Les conférences de l'Académie royale de peinture et de sculpture au XVIIe siècle
Author:
ISSN: 11585110 ISBN: 2840560429 9782840560425 Year: 1996 Publisher: Paris Ecole nationale supérieure des beaux-arts


Book
Vers l'esthétique : penser avec les Réflexions critiques sur la poésie et sur la peinture (1719) de Jean-Baptiste Du Bos
Authors: ---
ISBN: 9782705690595 270569059X Year: 2015 Publisher: Paris Hermann

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Dix spécialistes de la théorie de la peinture, de la rhétorique et de l'esthétique se penchent sur ce texte fondateur de l'esthétique. Ils en analysent la dimension philosophique, moins marquée par un souci de métaphysique que par le déploiement de considérations anthropologiques permettant la compréhension des arts et de leurs paradoxes. ©Electre 2016


Book
Les images ou Tableaux de platte-peinture
Authors: --- ---
ISBN: 2852035162 9782852035164 Year: 1995 Volume: 3 Publisher: Paris : Champion,

The Figino, or On the Purpose of Painting
Authors: ---
ISBN: 0802035744 080208446X 9786612014642 1282014641 1442681276 9781442681279 9781282014640 9780802035745 9780802084460 Year: 2002 Publisher: Toronto

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Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.


Book
Museum.
Authors: --- ---
ISBN: 9780674047587 0674047583 Year: 2010 Volume: 44 Publisher: Cambridge Harvard university press

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"Federico Borromeo, Cardinal-Archbishop of Milan (1564-1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art, Borromeo recorded his reflections in two treatises." "De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of icono-graphical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection.

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