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ISBN: 0300108265 9780300108262 Year: 2005 Publisher: New York Drawing Center
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Ce livre présente le travail extraordinaire de trois artistes de différentes générations qui approchent l'abstraction non pas comme un formalisme, mais comme une manière philosophique structurée, scientifique, et d'idées transcendentales. (extrait du 4ème de couverture)
Kunz, Emma --- Klint, Hilma A.F. --- Martin, Agnes --- Drawing, Abstract --- Drawing --- Dessin abstrait --- Dessin --- Exhibitions --- Exhibitions. --- Expositions --- Klint, Hilma af, --- Kunz, Emma, --- Martin, Agnes, --- Klint, Hilma af --- Art abstrait --- Af Klint, Hilma --- Martin, Agnès --- 7.038 --- 741 "19" --- Hilma af Klint 1862-1944 (° Karlsberg, Zweden) Emma Kunz 1892-1963 (° Brittnau, Kanton Aargau, Zwitserland) --- Agnes Martin 1912-2004 (° Maklin, Saskatchewan, Canada ; sinds 1950 --- Amerikaans staatsburger) --- Tekenkunst ; 20te eeuw ; H. Af Klint ; E. Kunz ; A. Martin --- Kunst ; van vrouwen ; 20ste eeuw --- Tentoonstellingscatalogi ; New York ; The Drawing Center --- Abstracte kunst --- 741.038 --- (069) --- 741 "19" Tekenkunst--20e eeuw. Periode 1900-1999 --- Tekenkunst--20e eeuw. Periode 1900-1999 --- 7.038 Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst --- Tekenkunst ; 1950 - 2000 --- (Musea. Collecties) --- Kunz, Emma 1892-1963 (°Brittnau, Aargau, Zwitserland) --- Martin, Agnes 1912-2004 (°Macklin, Canada) --- Af Klint, Hilma 1862-1944 (°Solna, Zweden) --- Tekenkunst ; 20ste eeuw ; H. Af Klint ; E. Kunz ; A. Martin --- Vrouwelijke kunstenaars --- Artists --- Spirituality --- Tentoonstellingscatalogus --- Visual arts --- Book
ISBN: 3855040435 9783855040438 Year: 1978 Publisher: Zürich Abc
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Painting --- Design --- Bill, Max, --- granite [rock] --- Bill Max --- abstraction-création --- concrete kunst --- systematische kunst --- 7.071 BILL --- sculpting --- Sculpture --- Abstract [fine arts style] --- art [fine art] --- color [perceived attribute] --- Art styles --- Iconography --- painting [image-making] --- Art --- abstraction --- metal --- Bill, Max --- anno 1900-1999 --- anno 2000-2099 --- Switzerland --- architectuur --- Bauhaus --- beeldhouwkunst --- constructivisme --- schilderkunst --- Bill, Max, - 1908-1994 --- art [discipline] --- Abstract [modern European style] --- kunst en wetenschap
ISBN: 3496010002 9783496010005 Year: 1977 Publisher: Berlin Reimer
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Constructivist --- wars --- Futurist --- Dada --- collages [visual works] --- art history --- art [fine art] --- Surrealist --- Art styles --- fantastic architecture --- Neue Sachlichkeit --- architecture [discipline] --- Art --- anno 1920-1929 --- Art, Modern --- Exhibitions --- Expositions --- geschiedenis --- constructivisme --- revoluties --- futurisme --- dadaïsme --- avant-garde --- Wereldoorlog I --- 1910 - 1930 --- 20ste eeuw --- Europa --- kunst --- twintigste eeuw --- geometrisch-abstracte kunst --- concrete kunst --- architectuur --- functionalisme --- Dadaisme --- schilderkunst --- beeldhouwkunst --- meubelkunst --- 7.037 --- surrealisme --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Exhibitions. --- 705.8 --- stedenbouw --- Constructivisme --- neue Sachlichkeit --- Nieuwe Zakelijkheid --- kunstgeschiedenis, 20e eeuw --- revolutie, revolte, opstand --- CDL --- art [discipline] --- constructivisme. --- revolutie, revolte, opstand. --- futurisme. --- dadaïsme. --- avant-garde. --- Wereldoorlog I. --- 1910 - 1930. --- 20ste eeuw. --- Europa. --- geschiedenis. --- Constructivisme(art) --- Art concret --- Futurisme (art) --- Art contemporain --- Fonctionnalisme dans l'art --- Surrealisme(art) --- Nationalegalerie(berlin) --- Europe --- 1900-1945 --- Catalogues
ISBN: 9780691126784 069112678X Year: 2006 Volume: 48 Publisher: Princeton, N.J. Princeton University Press
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"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.
abstracte kunst --- minimal art --- Abstract [fine arts style] --- Minimal --- Art --- anno 1900-1999 --- North America --- Art, Abstract --- Art, American --- Art abstrait --- Art américain --- 7.038 <73> --- kunst --- kunsttheorie --- schilderkunst --- abstractie --- beeldhouwkunst --- installaties --- twintigste eeuw --- Verenigde Staten --- tekenkunst --- 7.038 --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst--Verenigde Staten van Amerika. VSA. USA --- Art américain --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Abstract. --- Art, American. --- Abstrakte Kunst. --- Abstrakte Malerei. --- Abstracte kunst. --- 1900-1999. --- Geschichte 1950-2000. --- United States. --- USA. --- Art, Abstract - United States. --- Art, American - 20th century. --- Abstract [modern European style]
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