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The Cambridge Companion to the violin
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ISBN: 9780521390330 0521390338 9780521399234 0521399238 0521390336 9781139002097 Year: 1992 Volume: [5] Publisher: Cambridge Cambridge University Press

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Abstract

The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography


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Vièles ou violes? Variations philologiques et musicales autour des instruments à archet du moyen âge (11e-15e siècle)
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ISBN: 2252028033 9782252028032 Year: 1992 Volume: *2 Publisher: Paris Klincksieck


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De la vièle médiévale au violon du XVIIe siècle : étude terminologique, iconographique et théorique.
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ISBN: 9782503535616 2503535615 Year: 2011 Volume: *29 Publisher: Turnhout Brepols

The Cambridge Companion to the cello
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ISBN: 9780521621014 9780521629287 0521629284 0521621011 9781139002103 Year: 1999 Publisher: Cambridge Cambridge University Press

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Abstract

This is a compact, composite and authoritative survey of the history and development of the cello and its repertory from the origins of the instrument to the present day. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists from the baroque era to the present; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and current performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers

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