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Literature --- Fantasy literature --- Mythology in literature --- Littérature fantastique --- Mythologie dans la littérature --- Dictionaries --- French --- Dictionnaires français --- Littérature fantastique --- Mythologie dans la littérature --- Dictionnaires français --- Fantastic, The, in literature --- Fantasy literature - Encyclopedias. --- Fantastic, The, in literature - Encyclopedias.

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Fiction --- Thematology --- Science fiction --- Fantastic, The, in literature. --- Realism in literature. --- Reality in literature. --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Fantastic, The (Aesthetics), in literature --- Science --- Science stories --- Future, The, in literature --- History and criticism --- Theory, etc. --- Authorship.

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What exactly is the fantastic? In the twentieth-century world, our notions of what is impossible are assaulted every day. To define the nature of fantasy and the fantastic, Eric S. Rabkin considers its role in fairy tales, science fiction, detective stories, and religious allegory, as well as in traditional literature. The examples he studies range from Grimm's fairy tales to Agatha Christie, from Childhood's End to the novels of Henry James, from Voltaire to Robbe-Grillet to A Canticle for Leiboivitz. By analyzing different works of literature, the author shows that the fantastic depends on a reversal of the ground rules of a narrative world. This reversal signals most commonly a psychological escape, often from boredom, to an unknown world secretly yearned for, whose order, although reversed, bears a precise relation to reality.Originally published in 1976.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Littérature fantastique --- Fantastic, The, in literature. --- Fantastic, The (Aesthetics), in literature --- Fantastic, The, in literature --- -Fantastic literature --- 82-312.9 --- Fantasy literature --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- History and criticism --- History and criticism. --- Comparative literature --- Thematology --- Littérature fantastique --- Histoire et critique --- Literary criticism --- General. --- Fantasy literature - History and criticism

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Arising from the philosophical conviction that our sense of space plays a direct role in our apprehension and construction of reality (both factual and fictional), this book investigates how conceptions of postmodern space have transformed the history of the impossible in literature. Deeply influenced by the work of Jorge Luis Borges and Julio Cortázar, there has been an unprecedented rise in the number of fantastic texts in which the impossible is bound to space - space not as scene of action but as impossible element performing a fantastic transgression within the storyworld. This book conceptualizes and contextualizes this postmodern, fantastic use of space that disrupts the reader's comfortable notion of space as objective reality in favor of the concept of space as socially mediated, constructed, and conventional. In an illustration of the transnational nature of this phenomenon, García analyzes a varied corpus of the Fantastic in the past four decades from different cultures and languages, merging literary analysis with classical questions of space related to the fields of philosophy, urban studies, and anthropology. Texts include authors such as Julio Cortázar (Argentina), John Barth (USA), J.G. Ballard (UK), Jacques Sternberg (Belgium), Fernando Iwasaki (Perú), Juan José Millás (Spain,) and Éric Faye (France). This book contributes to Literary Theory and Comparative Literature in the areas of the Fantastic, narratology, and Geocriticism and informs the continuing interdisciplinary debate on how human beings make sense of space.

space perception --- Thematology --- architecture [discipline] --- Architecture --- Space (Architecture) in literature. --- Postmodernism (Literature) --- Fantastic, The, in literature. --- Geographical perception in literature. --- BIOGRAPHY & AUTOBIOGRAPHY --- Postmodernism (Literature). --- Literary.

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Fantasy has been an important and much-loved part of children's literature for hundreds of years, yet relatively little has been written about it. Children's Fantasy Literature traces the development of the tradition of the children's fantastic - fictions specifically written for children and fictions appropriated by them - from the sixteenth to the twenty-first century, examining the work of Lewis Carroll, L. Frank Baum, C. S. Lewis, Roald Dahl, J. K. Rowling and others from across the English-speaking world. The volume considers changing views on both the nature of the child and on the appropriateness of fantasy for the child reader, the role of children's fantasy literature in helping to develop the imagination, and its complex interactions with issues of class, politics and gender. The text analyses hundreds of works of fiction, placing each in its appropriate context within the tradition of fantasy literature.

Children's literature. Juvenile literature --- jeugdliteratuur --- fantasie (verbeelding) --- Children's literature --- Fantastic, The, in literature --- Fantasy fiction --- History and criticism --- fantasy