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Poets, French --- Biography. --- Nouveau, Germain, --- Nouveau, Germain
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Art Nouveau designates a decorative and architectural style developed in the 1880's and 1890's in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a "renaissance" in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms.After its triumph at the
Art nouveau. --- Art --- Philosophy.
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L'Art nouveau désigne un style décoratif et architectural qui se développe dans les années 1880-1890 en Occident. Né en réaction contre les dérives de l'industrialisation et le vide créatif qu'elle entraîne, l'Art nouveau est à l'origine d'une véritable renaissance des arts décoratifs. L'objectif premier est la création d'une nouvelle esthétique de la nature, par un retour à l'étude du motif naturel. Pour ce faire, des artistes tels que Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop et William Morris privilégient la recherche technique et la nouveauté des formes. Cette mode n'a eu de ce
Decoration and ornament --- Art nouveau --- Art nouveau. --- 1900 style
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Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the "Mucha style" for the legions of imitators who adapted the master's celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and
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« Cet ouvrage offert grâce au labeur de Marie-Bernadette Bruguière, et à l’aide de l’Université dans laquelle Jean Dauvillier avait accompli une carrière de plus de quarante ans, s’ajoutant aux Temps apostoliques, et aux innombrables études d’histoire du droit et d’histoire des Églises orientales, invite à méditer sur l’étendue des connaissances et la perspicacité d’un maître qui figure au premier rang d’une génération d’historiens du droit d’une exceptionnelle valeur… À ces exemples qui valent pour tous ceux qui aiment et respectent la culture, “qu’ils croient au Ciel ou qu’ils n’y croient pas”, s’ajoutent, pour les premiers, des leçons d’une autorité singulière. Jean Dauvillier a œuvré, par ses travaux, pour faire connaître les richesses de ces Églises d’Orient, dont les pontificats récents ont proclamé la valeur et déploré les épreuves. En étudiant, avec son impeccable science de juriste, les textes du Nouveau Testament, Jean Dauvillier a montré, mieux que tout autre, que les enseignements de Jésus s’inscrivaient dans le cadre d’une culture juridique héritée des anciens droits des contrées orientales. Ses démonstrations concourent à consolider la foi des chrétiens dans la réalité des enseignements de Jésus, et dans l’organisation de l’Église à partir de ses préceptes… » (Extrait de la préface de Germain Sicard)
History --- Law --- Nouveau Testament --- Église --- Antiquité
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Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns - sexuality, death and the nature of art - its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau's adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations. The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement's less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form
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L'ouvrage analyse divers aspects de ce mobilier de style Art nouveau, caractérisé par des formes ondulées et ornées de motifs végétaux. Introduction au contexte de l'époque ainsi qu'aux principaux foyers de création: l'école de Nancy et Paris.
Art nouveau --- Histoire du mobilier --- Mobilier --- France --- art nouveau --- meubelkunst --- meubelstijlen --- meubelgeschiedenis --- 749 --- meubelkunst, meubelontwerp
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"Nineteenth-century New Brunswick society was dominated by white, Protestant, Anglophone men. Yet, during this time of state formation in Canada, women increasingly helped to define and shape a provincial outlook. I wish to keep a record is the first book to focus exclusively on the life-course experiences of nineteenth-century New Brunswick women. Gail G. Campbell offers an interpretive scholarly analysis of 28 women's diaries while enticing readers to listen to the voices of the diarists. Their diaries show women constructing themselves as individuals, assuming their essential place in building families and communities, and shaping their society by directing its outward gaze and envisioning its future. Campbell's lively analysis calls on scholars to distinguish between immigrant and native-born women and to move beyond present-day conceptions of such women's world. This unique study provides a framework for developing an understanding of women's worlds in nineteenth-century North America."--
New Brunswick --- Nouveau-Brunswick --- History --- HISTORY / Canada / General.
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Internet in education --- Education --- Nouveau-nés --- Computer network resources
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Architecture --- Art nouveau --- Bouwkunst --- Brussel --- Bruxelles --- Randonnées pédestres --- Wandelroutes --- 72.036(493) --- art nouveau --- België --- architectuur België - art nouveau, arts & crafts, Wiener Werkstätte en moderne stromingen 2e helft 19e eeuw-WO I --- Art Nouveau --- anno 1900-1999 --- Brussels --- 716.7 --- Art nouveau--architectuur--Brussel --- Brussel--wandelroutes --- 980 --- België art nouveau --- Brussel patrimonium --- geografie België --- géographie Belgique
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