Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This anthology centers on the visual representation of woman in early modern Latin America, that is, the social and cultural construction and definition of female identity as evidenced by the art document. Artists in this period were collectively aware of a vocabulary of gender that could be tailored to deliver varying messages about the position of women in vice regal culture and society. This volume is organized not in the predictable linear framework, by periods and centuries, but rather by the realization that throughout much of this period, Spanish authorities and others envisaged the Spanish colonies of the Americas in gendered terms. Proffered as the female body, the “New” (virginal by implication) World was at differing times adored, pursued, courted, seduced, defiled, exploited, reviled, and denounced by those (males) who encountered “her.” This mentality is born out in the various forms of female representation that are discussed in this fully illustrated book. Contributors include: C. Cody Barteet, María Elena Bernal-García, Magali M. Carrera, Carol E. Damian, Carolyn Dean, Catherine R. DiCesare, Lori Boornazian Diel, Kelly Donahue-Wallace, Ray Hernandez-Duran, Andrea Lepage, Kellen Kee McIntyre, Penny Morrill, Elizabeth Q. Perry, Richard E. Phillips, Michael J. Schreffler, and Christopher C. Wilson. ERRATUM TO CHAPTER 7 Ray Hernández-Durán, “ El Encuentro de Cortés y Moctezuma : The Betrothal of Two Worlds in Eighteenth-Century New Spain” (pp. 181–206). On page 194, second paragraph, third sentence, should read: “Marina’s absence in the encounter painting, where she normally mediates contact between the men, emphasizes the phallogocentric aspect of the historic meeting.” The original phrasing, using the pivotal term, ‘phallogocentric’ (a reference to a gendered form of exchange or communication) was changed to ‘phallus-centered,’ which not only alters a central idea in the argument, but actually has nothing to do with the image in question.

Women in art. --- Art, Latin American --- Art, Spanish American --- Latin American art --- Spanish influences.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is an archaeological and historical study of Mexico City and Xaltocan, focusing on the early years after the Spanish conquest of the Aztec empire in 1521. The study of households excavated in Mexico City and the probate inventories of 39 colonizers provide a vivid view of the material and social lives of the Spanish in what was once the capital of the Aztec empire. Decades of archaeological and ethnohistorical research in Xaltocan, a town north of Mexico City, offers a long-term perspective of daily life, technology, the economy, and the adoption of Spanish material culture among indigenous people. Through these case studies, this book examines interpretive strategies used when working with historical documents and archaeological data. Focusing on the use of metaphors to guide interpretation, this volume explores the possibilities for interdisciplinary collaboration between historians, archaeologists, and anthropologists working on this pivotal period in Latin American history.

Household archaeology --- Mexico --- Regions & Countries - Americas --- History & Archaeology --- Social archaeology --- Mexico City (Mexico) --- Spain --- History --- Civilization --- Spanish influences. --- Antiquities.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Civilization, Hispanic. --- Art, Baroque --- Art --- National characteristics, Spanish. --- National characteristics, Latin American. --- Influence. --- Political aspects --- Latin America --- Civilization --- Spanish influences.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Theorising the Ibero-American Atlantic offers a fresh look at the Atlantic turn in Ibero-American Studies. Taking the criticisms launched at Atlantic Studies as a starting point, contributors query and explore the viability of the Ibero-American Atlantic as a framework of research. Their essays take stock of theories, methodologies, debates and trends in recent scholarship, and set down pathways for future research. As a result, the contributions in this volume establish the historical reality of the Ibero-American Atlantic as well as its tremendous value for scholarship. Contributors are Vanda Anastácio, Francisco Bethencourt, Harald E. Braun, David Brookshaw, Jorge Cañizares-Esguerra, Daniela Flesler, Andrew Ginger, Eliga Gould, David Graizbord, Thomas Harrington, Luis Martín-Cabrera, José C. Moya, Mauricio Nieto Olarte, Joan Ramon Resina, N. Michelle Shepherd, Lisa Vollendorf and Grady C. Wray.

Iberian Peninsula --- Atlantic Ocean Region --- Latin America --- Portugal --- Spain --- History. --- Civilization. --- Civilization --- Portuguese influences. --- Spanish influences. --- Latin American influences.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Uses Spanish participation at a series of international exhibitions to explore the transnational histories of Spain, the United States, Europe, and America in order to understand how and why the Spanishness of U.S. national identity has been subverted, marginalized, and largely forgotten"--

Exhibitions --- Art, Spanish --- History. --- United States --- Civilization --- Spanish influences. --- America. --- Latin America. --- Mexican-Americans. --- Spain. --- World's Fairs. --- expositions. --- national identity. --- the United States. --- transnational studies.