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The present collection aims at throwing light on transculturality and the identities and masks that people put on, in writing as much as in life, in an age of global levelling and the struggle for a particular place in a postcolonial world. Topics covered include: North African identity in France; cultural citizenship and the Asian diaspora; novels of beur self-identity by Maghrebi immigrants in France; Scottish fiction, Britain and Empire; memory, amnesia, and the re-invention of the past in South Africa, the Caribbean and elsewhere; borders, necrophilia and history in Southern African fiction; encodings of female control; spectating in black documentary cinema; theatre, performance, and the Western presence in Africa; masks, history, transtextuality, and other aspects of Irish poetry and drama; the masking and unmasking of identity in the African-American novel; violence and Titus Andronicus in black Nova Scotian poetry; notions of the national and of indigeneity in contemporary Canadian drama; Native Canadians, space, and the city. Authors and artists treated include: William Boyd; André Brink; George Elliott Clarke; David Dabydeen; Ralph Ellison; Bessie Head; Seamus Heaney; Tomson Highway; Isaac Julien; Daniel David Moses; Paul Muldoon; Albert Murray; Jean Rhys; Sir Walter Scott; Robert Louis Stevenson; Richard Wright; and W.B. Yeats.

Postcolonialism in literature. --- Nationalism and literature. --- Postcolonialism. --- Postcolonialisme dans la littérature --- Postcolonialisme --- Nationalisme et littérature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Literature and nationalism --- Literature --- Nationalisme et littérature --- Dans la littérature

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Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.

Korean literature --- Motion pictures --- Nationalism and literature --- Politics in literature --- Politics in motion pictures --- K9310.20 --- K9700.80 --- K9790 --- Political science in literature --- Literature and nationalism --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Political aspects --- Korea: Society, social psychology and social-anthropological phenomena (South) Korea -- nationalism --- Korea: Literature -- history -- modern period, postwar period (1945- ) --- Korea: Performing and media arts -- cinema --- Politics in literature. --- Politics in motion pictures. --- Littérature coréenne --- Nationalisme et littérature --- Cinéma --- Politique au cinéma. --- Korean literature. --- Motion pictures. --- Nationalism and literature. --- History and criticism. --- History --- Histoire et critique. --- Histoire --- Political aspects. --- 1900-1999 --- Korea (South)

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Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Plays featured include:* King John* Henry VI, Part I* Henry VI, Part II* Henry, Part III* Richard III* Richard II* Henry V.It will be a must for students and scholars interested in the cultural and social implications of Shakespeare today.

Feminism and literature --- Women and literature --- National characteristics, English, in literature. --- Historical drama, English --- Masculinity in literature. --- Nationalism in literature. --- Sex role in literature. --- Masculinity (Psychology) in literature --- History --- History and criticism. --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- History. --- Political and social views. --- Great Britain --- Historiography. --- Feminist drama, English --- Literature and history --- Masculinity in literature --- National characteristics, English, in literature --- Nationalism in literature --- Sex role in literature --- History and criticism --- Characters --- Women. --- Histories. --- Feminist drama --- Féminisme et littérature --- Femmes et littérature --- Caractéristiques nationales anglaises dans la littérature --- Théâtre historique anglais --- Théâtre féministe --- Littérature et histoire --- Masculinité dans la littérature --- Nationalisme dans la littérature --- Rôle selon le sexe dans la littérature --- Histoire --- Histoire et critique --- Grande-Bretagne --- Historiographrie --- Sociology of literature --- SHAKESPEARE, WILLIAM (1564-1616) --- FEMINISME ET LITTERATURE --- CARACTERISTIQUES NATIONALES --- THEATRE HISTORIQUE ANGLAIS --- MASCULINITE (PSYCHOLOGIE) --- NATIONALISME ET LITTERATURE --- ROLE SELON LE SEXE DANS LA LITTERATURE --- HISTOIRES, INTRIGUES, ETC. --- PENSEE POLITIQUE ET SOCIALE --- ANGLETERRE --- ANGLAISES --- HISTOIRE ET CRITIQUE --- DANS LA LITTERATURE --- 16E SIECLE