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Michael Haneke, whose films include 'The Piano Teacher' and 'The White Ribbon', has emerged over the past 15 years as a major figure in world cinema. This collection of essays offers a criticial inquiry & close formal analysis of his work, noted for its philosophical, historical & stylistic complexity.
798.53 --- 798.65 --- Haneke, Michael --- film, cineasten --- film, spel en regie --- Haneke, Michael, --- Criticism and interpretation. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Realism as Protest draws on the »realistic method« developed by Alexander Kluge to counter the limited image of reality generated by the mainstream media. Focusing on innovative productions produced by Kluge, Schlingensief and Haneke, this groundbreaking study explores how the experimental form of their work in film, television and theatre facilitates thinking, discussion and debate about the possibilities for cultural and political change. »Forrest's prose is clear throughout, and especially admirable for its succinct and precise explanation of complex ideas. This study is recommended to scholars and advanced undergraduate students alike.« Jack Davis, Monatshefte, 108/4 (2016) »Eine kluge Publikation.« Hans Helmut Prinzler, http://www.hhprinzler.de, 28.09.2015
Mass communications --- Haneke, Michael --- Schlingensief, Christoph --- Kluge, Alexander --- Realism in motion pictures. --- Realism on television. --- Mass media --- Theater --- Political aspects. --- Social aspects. --- Kluge, Alexander, --- Schlingensief, Christoph, --- Haneke, Michael, --- Criticism and interpretation. --- Motion picture producers and directors --- Television programs --- Production and direction --- History. --- Producteurs et réalisateurs de cinéma --- Théâtre --- Emissions télévisées --- Réalisme à la télévision --- Réalisme dans le cinéma --- Production et mise en scène --- Criticism and interpretation --- Motion pictures --- Film; Television; Theatre; Realism; Politics; Media; Media Aesthetics; Theatre Studies; Media Studies --- Mülheim, Thekla von --- Media Aesthetics. --- Media Studies. --- Media. --- Politics. --- Realism. --- Television. --- Theatre Studies. --- Theatre.
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Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Ca
Motion picture producers and directors --- Motion pictures --- Motion picture audiences --- Producteurs et réalisateurs de cinéma --- Cinéma --- History. --- Psychology. --- Histoire --- Publics --- Psychologie --- Haneke, Michael, --- Criticism and interpretation. --- Producteurs et réalisateurs de cinéma --- Cinéma --- PERFORMING ARTS / Film & Video / History & Criticism.
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