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Cligès was probably written after Erec et Enide and is thus Chrétien de Troyes' second romance. There are several modern English and French translations of the text, but a need has long been felt for a modern German version, particularly as references in Middle High German texts and text fragments indicate that there was at least one Middle High German version. This gap is now filled with the present modern German translation which is published together with the original text in a bilingual edition; this means that the special position which Cligès takes up in more than one respect in the history of the medieval European romance can now form a stronger focus in German Studies. Thus a broader basis is formed both for interdisciplinary medieval studies and for research into the history and theory of the romance. A comprehensive introduction sketches the most important problems in interpreting the work, the present state of research into Cligès in international Romance Studies and its place in the history of the Arthurian romance. With the translation, the introduction, the commentary, and a comprehensive bibliography, this monograph provides an indispensable foundation for future research. It is anticipated that it will meet with wide interest and significantly alter the view taken by German Studies of the history of the romance in medieval Europe. Der Cligès ist vermutlich nach Erec et Enide entstanden und somit der zweite Roman von Chrétien de Troyes. Es existieren mehrere moderne Übersetzungen des Romans in englischer und französischer Sprache, aber eine neuhochdeutsche Übersetzung ist seit langem ein Desiderat. Dies gilt umso mehr, als Erwähnungen in mittelhochdeutschen Dichtungen und fragmentarische Zeugnisse darauf hindeuten, dass es (mindestens) eine mittelhochdeutsche Bearbeitung gegeben hat. Mit der nun vorliegenden ersten neuhochdeutschen Übersetzung, die mit dem altfranzösischen Text zusammen in einer zweisprachigen Ausgabe erscheint, wird diese Lücke geschlossen, so dass die Sonderstellung, die der Cligès in mehr als einer Hinsicht in der Geschichte des Romans im europäischen Mittelalter einnimmt, auch von germanistischer Seite stärker in den Blick genommen werden kann. Damit wird die Basis sowohl für eine interdisziplinär arbeitende Mediävistik als auch für Forschungen zur Geschichte und Theorie des Romans erweitert. In einer umfassenden Einführung werden zudem die wichtigsten Interpretationsprobleme, der aktuelle Forschungstand zum Cligès in der internationalen Romanistik und seine Stellung in der Geschichte des Artusromans skizziert. Mit der Übersetzung, der Einleitung, dem Kommentar und einer umfassenden Bibliographie bietet die Monographie eine unverzichtbare Grundlage für weitere Forschungen. Es ist zu erwarten, dass sie auf breites Interesse stoßen und das germanistische Bild über die Geschichte des Romans im europäischen Mittelalter nachhaltig verändern wird.
Arthurian romances. --- Chrétien, de Troyes, 12th cent. Cligès -- Criticism and interpretation. --- Criticism, Medieval. --- Romances -- Translations into German. --- Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Medieval criticism --- Technique --- Evaluation --- Rhetoric --- Aesthetics --- Arthurian tales. --- Chrétien de Troyes. --- Middle ages/literature. --- Old French.
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This volume celebrates the career of Keith Busby, one of the most prominent researchers of medieval French literature of our time, or as one of the contributors states, “one of the true knights errant among us—a scholar defined by the nobility of his intellect who upholds and defends medieval studies.” The chapters presented here bring together leading scholars from the United States, England, The Netherlands, France, Canada, Germany, and Australia. The authors focus on subjects related to Professor Busby’s broad research interests. Topics include, but are not limited to, Arthurian literature, courtly literature, fabliaux, epic, romance, Chrétien de Troyes, Marie de France, Breton lays, manuscript studies, iconography, and Occitan literature. This collection also offers critical editions of two texts: the Dit des Boulangers and an Anglo-Norman Quadripertitus Hermetis . These chapters will be of particular interest to specialists and students of medieval literature and manuscript studies.
French literature --- Literature, Medieval --- History and criticism --- Criticism, Textual --- Busby, Keith --- History and criticism. --- Criticism, Textual. --- Busby, Keith. --- Old French literature --- Criticism. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation --- French literature - To 1500 - History and criticism --- Literature, Medieval - Criticism, Textual
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In The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain – literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial practices, from the benefits and disadvantages of digital editions versus print editions to the importance of including 'extratextual' material such as variant texts, illustrations, intertexts, and other information about a work's cultural contexts, history, and use. The Book Unbound presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while offering practical ideas on editing print and hypertext. The collection will be invaluable to historians, literary scholars, and editors
Manuscripts, Medieval --- Literature, Medieval --- Manuscrits médiévaux --- Littérature médiévale --- Editing. --- Criticism, Textual. --- Edition --- Critique textuelle --- Editing --- Criticism, Textual --- 091 --- Handschriftenkunde. Handschriftencatalogi --- 091 Handschriftenkunde. Handschriftencatalogi --- Medieval manuscripts --- Manuscripts --- Community development --- Regional development --- Economic assistance, Domestic --- Social planning --- Citizen participation --- Government policy --- Hespeler (Ont.) --- Social conditions. --- Evaluation research (Social action programs) --- Social service --- Action research --- Research --- Social action --- Social sciences --- Benevolent institutions --- Philanthropy --- Relief stations (for the poor) --- Social service agencies --- Social welfare --- Social work --- Human services --- Evaluation of social action programs --- Evaluative research (Social action programs) --- Evaluation --- Manuscrits médiévaux --- Littérature médiévale --- Manuscripts [Medieval ] --- Literature [Medieval ] --- Criticism [Textual ] --- Manuscripts, Medieval - Editing --- Literature, Medieval - Criticism, Textual --- Hespeler (Cambridge, Ont.)
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This extensive survey of scribal correction in English manuscripts explores what correcting reveals about attitudes to books, language and literature in late medieval England. Daniel Wakelin surveys a range of manuscripts and genres, but focuses especially on poems by Chaucer, Hoccleve and Lydgate, and on prose works such as chronicles, religious instruction and practical lore. His materials are the variants and corrections found in manuscripts, phenomena usually studied only by editors or palaeographers, but his method is the close reading and interpretation typical of literary criticism. From the corrections emerge often overlooked aspects of English literary thinking in the late Middle Ages: scribes, readers and authors seek, though often fail to achieve, invariant copying, orderly spelling, precise diction, regular verse and textual completeness. Correcting reveals their impressive attention to scribal and literary craft - its rigour, subtlety, formalism and imaginativeness - in an age with little other literary criticism in English.
English literature --- Manuscripts, Medieval --- Transmission of texts. --- Literature, Medieval --- History and criticism. --- History. --- Criticism, Textual. --- England --- Intellectual life --- Literary transmission --- Manuscript transmission --- Textual transmission --- Medieval manuscripts --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Transmission of texts --- Criticism, Textual --- Editions --- Manuscripts --- History and criticism --- History --- E-books --- Littérature anglaise --- Manuscrits médiévaux --- Transmission de textes --- Littérature médiévale --- Histoire et critique --- Histoire --- Critique textuelle --- Angleterre --- Vie intellectuelle --- English literature - Middle English, 1100-1500 - History and criticism --- Manuscripts, Medieval - England - History --- Literature, Medieval - Criticism, Textual --- England - Intellectual life - 1066-1485 --- Literatura medieval --- Manuscritos medievales --- Transmisión de textos --- Literatura inglesa --- Historia y crítica --- Inglaterra --- Cultura
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Latin literature, Medieval and modern --- Civilization, Medieval --- Literature, Medieval --- Mythology, Classical, in literature. --- Criticism, Medieval --- Mythology --- Humanism --- Mythology, Classical, in literature --- Greek & Latin Languages & Literatures --- History - General --- Languages & Literatures --- History & Archaeology --- Myths --- Legends --- Religion --- Religions --- Folklore --- Gods --- Myth --- Medieval criticism --- European literature --- Medieval literature --- Civilization, Classical --- History and criticism --- Theory, etc. --- Classical influences. --- Roman influences. --- History. --- Historiography. --- History and criticism. --- Theory, etc --- Classical influences --- Roman influences --- History --- Historiography --- Ecole de Chartres. --- Cathédrale de Chartres. --- School of Chartres --- Scuola di Chartres --- Cathedral School of Chartres --- Mythology.
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With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chance's in-depth examination of works by the major writers of the period demonstrates how they essentially co-opted a thousand-year tradition. Their intricate narratives of identity mixed commentary with poetry, reinterpreted classical gods and heroes to suit personal agendas, and gave rise to innovative techniques such as "inglossation"--the use of a mythological figure to comment on the protagonist within an autobiographical allegory. In this manner, through allegorical authorial projection of the self, the poets explored a subjective world and manifested a burgeoning humanism that would eventually come to full fruition in the Renaissance. No other work examines the mythographic interrelationships among these poets and their unique and personal approaches to mythological commentary.
Civilization, Medieval --- Criticism, Medieval --- Latin literature, Medieval and modern --- Literature, Medieval --- Mythology --- Mythology, Classical, in literature. --- Classical influences. --- History. --- History and criticism --- Theory, etc. --- Roman influences. --- Historiography. --- Ecole de Chartres. --- -Mythology, Classical, in literature --- -Mythology --- -Latin literature, Medieval and modern --- -Myths --- Myth --- Medieval criticism --- Roman influences --- Ecole de Chartres --- Cathédrale de Chartres. --- School of Chartres --- Scuola di Chartres --- Cathedral School of Chartres --- Littérature latine médiévale et moderne --- Mythologie ancienne dans la littérature --- Critique médiévale --- Théorie, etc. --- Influence ancienne --- Influence romaine --- 82 "04/14" --- -Literature, Medieval --- Legends --- Religion --- Religions --- Folklore --- Gods --- European literature --- Medieval literature --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- 82 "04/14" Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Classical influences --- History --- Historiography --- Comparative religion --- Comparative literature --- Medieval Latin literature --- anno 500-1499 --- Civilisation médiévale --- Littérature médiévale --- Mythologie --- Histoire et critique --- Historiographie --- Humanism --- Civilization, Classical --- Myths --- History and criticism. --- Latin literature --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Criticism and interpretation --- -Civilization, Medieval --- Latin literature, Medieval and modern - History and criticism - Theory, etc. --- Civilization, Medieval - Classical influences. --- Literature, Medieval - Roman influences. --- Criticism, Medieval - History. --- Mythology - Historiography. --- -82 "04/14" Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Moyen Age --- -Classical influences --- MEDIEVAL CIVILIZATION --- CLASSICAL INFLUENCE --- MEDIEVAL LITERATURE --- ROMAN INFLUENCES --- CLASSICAL MYTHOLOGY --- HISTORIOGRAPHY --- CLASSICAL INFLUENCES
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