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A collection of novel and provocative insights into El Greco's pictorial art based on art-historical, social and historiographical sources and methodologies. This volume presents an innovative art-historical outlook on the prevalent interpretations and theoretical analyses of El Greco's paintings. Discussing the role of El Greco in early modern art history, Fernando Marías sheds light on unexplored aspects of El Greco's translation of the religious thought of the conversos into his work, and Miriam Cera investigates the stream of humanist sources from Salazar de Mendoza?s library in Toledo that influenced El Greco's artistic development. These two introductory studies set the framework for subsequent essays on El Greco's collaboration with Spain's humanist circles and the late sixteenth-century culture of the Italian Renaissance. José Riello offers an original interpretation of El Greco's paintings by re-examining the importance of Reformation thought in his work made in Toledo. Tackling the critical impact of Michelangelo's draftsmanship on El Greco, Karin Hellwig explores the complexity of El Greco's relationship with the Italian Renaissance master. Livia Stoenescu demonstrates that El Greco crafted a unique historical style by drawing on an antique culture of religious artifacts, relics, and icons while remodeling the old within modern painting. Enrico Maria dal Pozzolo?s exploration of a fluid continuity between El Greco's models and an entire Italian tradition of Marian painting, resulting in works which El Greco grounded in Renaissance devotional content and which were circulated in the medium of prints and engravings, directs our attention towards new stylistic concerns and potential discussions.
Painters --- Painting, Renaissance --- Peintres --- Peinture de la Renaissance --- Social networks --- Réseaux sociaux --- Greco, --- Greco, el --- Réseaux sociaux --- Greco --- Criticism and interpretation --- Greco, - 1541?-1614 - Criticism and interpretation --- Greco, - 1541?-1614
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research [function] --- Science --- anno 1800-1899 --- Germany --- England --- Scientists --- Scholars --- Social networks --- Transnationalism --- Scientifiques --- Savants --- Réseaux sociaux --- Transnationalisme --- History --- Histoire --- Great Britain --- Grande-Bretagne --- Allemagne --- Relations --- Intellectual life --- Vie intellectuelle --- Wetenschap --- wetenschappelijk onderzoeken --- Engeland --- Duitsland
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Traduit de l'allemand. L'ouvrage analyse la genèse et la composition de la collection du prince de Conti au XVIIIe siècle ainsi que la motivation singulière du collectionneur. L'auteur présente Conti dans une structure complexe associant la politique, l'histoire sociale, la perception esthétique, la théorie de l'art et le marché de l'art. Première publication de ce texte en français, elle est riche des recherches minutieuses et approfondies de l'auteur.
Bourbon-Conti, de, Louis François --- Princes --- Art --- Attitudes --- Social networks --- Collectors and collecting --- Biography --- Private collections --- Réseaux sociaux --- Collectionneurs et collections --- Biographie --- Collections privées --- Conti, Louis François de Bourbon, --- Réseaux sociaux --- Collections privées --- Conti, Louis François de Bourbon, --- Biography. --- collecting, France
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Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
patronage --- Christianity --- Michelangelo --- Painters --- Sculptors --- Art patronage --- Painting, Italian --- Peintres --- Sculpteurs --- Mécénat --- Peinture italienne --- Social networks --- Réseaux sociaux --- Michelangelo Buonarroti, --- Criticism and interpretation. --- Mécénat --- Réseaux sociaux --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי,
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"Ce volume rassemble les vingt-sept communications présentées lors du colloque international qui s'est tenu à Poitiers, du 8 au 10 novembre 2005. Organisée par l'Équipe " Modèles et transferts artistiques " du laboratoire GERHICO (Groupe d'études et de recherches historiques du Centre-Ouest atlantique), en collaboration avec l'INHA (Institut national d'histoire de l'art). L'objectif de cette rencontre est l'étude de la maison de l'artiste, considérée d'un triple point de vue : lieu architectural, foyer artistique et projection de l'imaginaire. En tant que lieu de résidence, de rencontres et de création, la maison de l'artiste a rarement été évoquée par la recherche contemporaine, la notion même de maison d'artiste étant soumise à la relativité du temps et de l'espace. Selon une approche diachronique (du XVle au XXe siècle) et pluridisciplinaire impliquant une conception large de l'artiste, créateur ou exécutant (architecte, peintre, musicien, sculpteur, dessinateur, tapissier), les études ici rassemblées s'efforcent de définir la valeur identitaire dans le contexte européen de la maison d'artiste, communautaire dans ses extensions, mais aussi au cœur de la création, support d'imaginaire et enjeu des relations particulières de l'architecte et de son commanditaire.
Private houses --- Artists --- anno 1700-1799 --- anno 1800-1999 --- anno 1600-1699 --- Artists' studios --- Artists' studios in art --- Architects --- Musical landmarks --- Ateliers d'artiste --- Ateliers d'artistes dans l'art --- Artistes --- Architectes --- Musiciens --- Congresses --- Homes and haunts --- Social networks --- Congrès --- Résidences et lieux familiers --- Réseaux sociaux --- Castel, Gaston --- Le Brun, Charles --- Congrès --- Résidences et lieux familiers --- Réseaux sociaux --- 78.16 Poitiers --- 78.79 --- Congresses.
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This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Architecture --- Architects --- Sculptors --- Architectes --- Sculpteurs --- History --- Social networks --- Histoire --- Réseaux sociaux --- Réseaux sociaux --- sculptors --- Baroque --- urban planning --- Keyser, de, Hendrick --- Floris, Cornelis II --- Architecture, Dutch --- Architecture, Flemish --- Architektur. --- Plastik. --- Rezeption. --- Kulturbeziehungen. --- Architecture. --- 1400-1699. --- Niederlande. --- Benelux countries. --- Academic collection --- Renaissance --- History of Europe --- History of civilization --- architecture [discipline] --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Europe --- Influence --- Europa. --- Netherlands. --- Architecture [Dutch] --- 16th century --- 17th century --- Architecture, Dutch - History --- Architecture, Dutch - Influence --- Architecture, Flemish - History --- Architecture, Flemish - Influence
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"Erudite Eyes" explores the network of the Antwerp cartographer Abraham Ortelius (1527-1598), a veritable trading zone of art and erudition. Populated by such luminaries as Pieter Bruegel, Joris Hoefnagel, Justus Lipsius and Benedictus Arias Montanus, among others, this vibrant antiquarian culture yielded new knowledge about local antiquities and distant civilizations, and offered a framework for articulating art and artistic practice. These fruitful exchanges, undertaken in a spirit of friendship and collaboration, are all the more astonishing when seen against the backdrop of the ongoing wars. Based on a close reading of early modern letters, alba amicorum, printed books, manuscripts and artworks, this book situates Netherlandish art and culture between Bruegel and Rubens in a European perspective.
76 <493> "15" --- 929 ORTELIUS, ABRAHAM --- 091:082.2 --- 930.85 "15/17" --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- 929 ORTELIUS, ABRAHAM Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- Biografie. Genealogie. Heraldiek--ORTELIUS, ABRAHAM --- 76 <493> "15" Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--België--16e eeuw. Periode 1500-1599 --- Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Renaissance --- humanists [people] --- intellectuals --- History of civilization --- artists [visual artists] --- Ortelius, Abraham --- 091:082.2 Alba amicorum--(handschriften) - Voor libri amicorum over handschriften, zie {091 <082>} --- Artists --- Humanists --- Merchants --- Social networks --- History --- Ortelius, Abraham, --- Friends and associates. --- Benelux countries --- Intellectual life --- Artistes --- Commerçants --- Humanistes --- Réseaux sociaux --- Benelux --- Vie intellectuelle --- Art dealers --- Flanders --- Friends and associates --- 912 <09> --- 929 --- 929 Biography. Genealogy. Heraldry --- Biography. Genealogy. Heraldry --- 929 Biografie. Genealogie. Heraldiek --- Biografie. Genealogie. Heraldiek --- 912 <09> Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- 912 <09> Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van ... --- Cartography. Maps. Atlasses--Geschiedenis van ... --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van .. --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van . --- Cartografie. Kaarten. Plattegronden. Atlassen--Geschiedenis van --- artistic relations --- Ortelius, Abraham, - 1527-1598 --- Commerçants --- Réseaux sociaux --- Social networks.
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