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Geschiedenis van de eenhoorn in de westerse literatuur en kunst, vanaf de oudheid tot heden.

Unicorns --- Unicorns in art --- Unicorns in literature --- 398.3 --- 7.042 --- 398.3 Volksgeloof. Volksgebruiken. Kalenderfeesten --- Volksgeloof. Volksgebruiken. Kalenderfeesten --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- Iconografie: fauna, dierenrijk, fabeldieren --- Animals, Mythical --- Comparative religion --- Zoology --- Iconography --- Epical, mythological and fictitious figures --- Animals, Mythical. --- Comparative religion. --- Iconography. --- Unicorns in art. --- Unicorns in literature. --- Unicorns. --- Zoology. --- Epical, mythological and fictitious figures.

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mythical or legendary beings --- creatures --- Art --- Folklore --- Iconography --- fabels --- History of civilization --- Monsters in art --- Animals, Mythical, in art --- Symbolism in art --- Monstres dans l'art --- Animaux fabuleux dans l'art --- Symbolisme dans l'art --- Exhibitions. --- Expositions --- mythologische figuren --- fabeldieren --- monsters --- bestiarium --- Exposition --- Légendes --- 's-Hertogenbosch (Nederland) --- 7.042 --- 7.046.1 --- Iconografie: fauna, dierenrijk, fabeldieren --- Iconografie: klassieke mythologie --- Exhibitions --- 7.046.1 Iconografie: klassieke mythologie --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- legendary beings --- misvormde dieren, mismaakte dieren; monsters --- samples --- monsters.

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The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived. Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.

animal art --- Iconography --- Canis familiaris [species] --- Literature --- Art --- anno 500-1499 --- Europe --- Dogs in art. --- Arts, European --- Animals and civilization --- Chiens dans l'art --- Arts européens --- Animaux et civilisation --- Themes, motives. --- Thèmes, motifs --- 7.042 --- Iconografie: fauna, dierenrijk, fabeldieren --- Dogs in art --- Themes, motives --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- Arts européens --- Thèmes, motifs --- Animals and civilization. --- Civilization and animals --- Civilization --- Human-animal relationships --- European arts --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Arts, European - Themes, motives --- Animals and civilization - Europe

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"The Paper Zoo traces the varied and vital role of natural history illustration in science and art since the fifteenth century. Sumptuous images from giants of the genre - such as the birds of John J. Audubon, or the insects of Maria Sybilla Merian - accompany less familiar but equally intriguing illustrations from manuscripts, journals, and rare printed books. Together, these works represent a collection of nature's wonders. Birds, butterflies, insects, mammals, reptiles, and fish were immortalised in print; pests and curiosities were wondered at; microorganisms made monsters. Travellers brought home, on paper, exotic creatures. Scholars and hobbyists insisted upon the beauty and significance of native creatures, both wild and domesticated - even cows and clothes moths. Charlotte Sleigh shows how the styles and purposes of natural history illustration evolved, from animal alphabets to the extraordinary productions of eighteenth- and nineteenth-century naturalists and explorers recording and classifying the living world. She pays tribute to the achievements of little-known, unsung painters and colourists, alongside famous artists, in this mighty endeavour of collecting, defining and exhibiting animal life on the page. Here, too, were ironies and contradictions: many naturalists were also hunters, and the dodo and the great auk survive only in paper zoos."--Publisher's description.

Art --- Animalia [kingdom] --- animal art --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Zoological illustration --- Animals in art --- 7.042 --- Thema's in de kunst ; dieren --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- Illustration, Zoological --- Biological illustration --- Natural history illustration --- History --- Iconografie ; dieren, fauna

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animal art --- Iconography --- anno 500-1499 --- Great Britain --- Decoration and ornament, Medieval --- Animals in art --- Decoration and ornament, Anglo-Saxon --- 7.046.2 --- #A9601H --- 7.042 --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- Iconografie: legendarische-, fantastische voorstellingen --- Visual arts --- Animals in art. --- Decoration and ornament, Anglo-Saxon. --- Decoration and ornament, Medieval. --- Special subjects --- Animals --- 7.046.2 Iconografie: legendarische-, fantastische voorstellingen --- Great Britain. --- Animals. --- Medieval, 500-1500 --- History --- Middle Ages, 500-1500