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Women's experimental cinema : critical frameworks
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ISBN: 9780822340232 9780822340447 0822340445 0822340232 0822392089 Year: 2007 Publisher: Durham, N.C. Duke University Press


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Screens and veils : Maghrebi women's cinema
Author:
ISBN: 9780253356680 9780253223418 9786613626431 0253005655 1280596600 9780253005656 0253356687 0253223415 6613626430 Year: 2011 Publisher: Bloomington, Ind. Indiana University Press

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Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of ""transvergence"" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of a


Book
Lois Weber in early Hollywood
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ISBN: 9780520284463 9780520241527 9780520960084 0520284461 0520241525 0520960084 Year: 2015 Publisher: Oakland, Calif. University of California Press

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Among early Hollywood's most renowned filmmakers, Lois Weber was considered one of the era's "three great minds" alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber's remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema's power to engage topical issues for popular audiences. Her work grappled with the profound changes in women's lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female filmmakers who had played a part in early Hollywood's bid for respectability were in the end written out of that industry's history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women's contributions to American culture.

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