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This book offers a Portuguese translation of Aristophanes’ Ploutos, with an introduction and footnotes.
Commentary --- Translation --- Aristophanes
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This work aims at shedding light on the corpus or fragments of Ancient Comedy, which is often overshadowed by Aristophanes’ eleven extant comedies. It presents the first annotated translation into Portuguese of the fragments of Aristophanes and of their sources.This volume also contains an introductory study dedicated to these sources, the context in which the excerpts appeared and how they were transmitted. It brings together and organizes useful information on lexicography and deals with the reception of Aristophanes in Antiquity.
comedy --- Aristophanes --- fragments --- lexicography
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Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work's anarchic experimentation with language invites a radically "oversensitive" hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or "too-close" reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern - one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.
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These three plays by the great comic playwright Aristophanes (c. 446-386 BCE), the well-known Lysistrata, and the less familiar Women at the Thesmophoria and Assemblywomen, are the earliest surviving portrayals of contemporary women in the European literary tradition. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city, religion and government, war and peace, theater and festival, and, of course, to men. This freshly revised edition presents, for the first time in a single volume, all three plays in faithful modern
Women --- Aristophanes --- Athens (Greece)
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It fills in a gap by outlining the ways that Plato and Socrates talk about life and death. There is also a lengthy discussion of how Aristophanes responded with satirical exaggerations of their positions. This author focuses entirely on how death and eternity are integral thematic components of the Platonic dialogues. The contribution is in drawing on copious secondary material to make the argument that all great philosophy must serve as a confrontation with eternity. It must make the audience resolve the issue of their own mortality by confronting our precarious place in the cosmos. Eternity
Philosophy. --- Philosophy --- Eternity --- Life --- Plato. --- Aristophanes. --- Socrates.
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Literarische Anspielungen im Frieden des Aristophanes sind zwar bereits seit der Antike Gegenstand der Forschung, wurden aber noch nie systematisch untersucht. Neben einer Detailanalyse aller Bezüge der Komödie zu literarischen Einzeltexten werden auch die kulturellen Implikationen des Befundes in den Fokus gerückt: Die komplexe Intertextualität ist ein wesentliches Merkmal von Aristophanes' Komödien und weckte bei den gebildeten Zeitgenossen die Lust am Lesen. Biographische Informationen Fabian Zogg hat Griechische und Lateinische Sprach- und Literaturwissenschaft studier
Allusions in literature. --- Allusions dans la littérature --- Aristophanes. --- Allusions in literature --- Aristophanes --- Allusions dans la littérature --- Aristophanes - Peace --- Komödien --- Literarische Anspielungen --- "Frieden" --- Intertextualität
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'Comic Business' situates Aristophanic comedy in the context of competitive (re)performance culture in 5th and 4th century Greece. It seeks to illuminate how the dazzling busyness of Aristophanic comedy is the creation of a carefully manipulating craftsman trying to outdo his rivals in the fierce competition of dramatic festivals.
Theater --- History --- Aristophanes --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Criticism and interpretation. --- Aristophanes [Comicus]
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Keine ausführliche Beschreibung für "Aristophanis Byzantii Fragmenta" verfügbar.
Classical Greek language --- Greek drama (Comedy) --- Aristophanes, --- Aristophanēs, --- Byzantium, Aristophanes of, --- Greek drama --- Greek language --- Grammar --- History
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Brill’s Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.
Art appreciation. --- Komödie. --- Rezeption. --- Aristophane - réception. --- Aristophane, --- Aristophane. --- Aristophanes --- Aristophanes, --- Aristophanes. --- Critique et interprétation. --- Appreciation. --- Criticism and interpretation. --- Comparative literature --- Aristophanes [Comicus] --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης
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his original and wide-ranging collection of essays offers, for the first time, a comprehensive examination of the political dimensions of that madcap comic poet Aristophanes. Rejecting the claim that Aristophanes is little more than a mere comedian, the contributors to this fascinating volume demonstrate that Aristophanes deserves to be placed in the ranks of the greatest Greek political thinkers. As these essays reveal, all of Aristophanes' plays treat issues of fundamental political importance, from war and peace, poverty and wealth, the relation between the sexes, demagoguery and democracy to the role of philosophy and poetry in political society. Accessible to students as well as scholars, "The Political Theory of Aristophanes" can be utilized easily in the classroom, but at the same time serve as a valuable source for those conducting more advanced research. Whether the field is political philosophy, classical studies, history, or literary criticism, this work will make it necessary to reconceptualize how we understand this great Athenian poet and force us to recognize the political ramifications and underpinnings of his uproarious comedies.
Aristophanes --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Criticism and interpretation.
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