Listing 1 - 10 of 195 | << page >> |
Sort by
|
Choose an application
Motion picture plays --- Technique. --- Motion picture authorship
Choose an application
Motion picture authorship --- Motion picture plays --- Marketing
Choose an application
Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living is Round, and Surname Viet Given Name Nam.
Choose an application
Motion picture authorship --- Motion picture plays --- Technique
Choose an application
Faulkner, William, --- Radio and television plays. --- Motion picture plays.
Choose an application
Motion picture plays, German --- Motion pictures --- History and criticism --- History
Choose an application
Based on close readings of texts, Zeina Halabi counters the prevalent reading of late 20th-century Arabic literature as a neoliberal, apolitical, fragmented discourse.
Arabic literature --- Motion picture plays, Arabic --- History and criticism. --- Arabic motion picture plays --- Arabic drama --- 1900-1999
Choose an application
Best known as one of the most important playwrights of the twentieth century, Harold Pinter has also written many highly regarded screenplays, including Academy Award-nominated screenplays for The French Lieutenant's Woman and Betrayal, collaborations with English director Joseph Losey, and an unproduced script for the remake of Stanley Kubrick's 1962 adaptation of Lolita. In this definitive study of Pinter's screenplays, Steven H. Gale compares the scripts with their sources and the resulting films, analyzes their stages of development, and shows how Pinter creates unique works of art by extr
Motion picture plays, English --- English motion picture plays --- English drama --- History and criticism. --- Pinter, Harold, --- Bintar, Hārūld, --- Пинтер, Гарольд, --- פינטר, הרולד, --- Pinter, Garolʹd, --- Technique. --- Motion picture plays.
Choose an application
Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.
Independent films --- Motion picture plays, American --- Indie films --- Motion pictures --- History and criticism.
Choose an application
Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture.
Film genres. --- Motion picture plays --- Motion picture authorship. --- History and criticism.
Listing 1 - 10 of 195 | << page >> |
Sort by
|