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Book
Script development : critical approaches, creative practices, international perspectives
Authors: ---
ISBN: 303048713X 3030487121 Year: 2021 Publisher: Cham, Switzerland : Springer : Palgrave Macmillan,

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Script planning : positioning and developing scripts for TV and film
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ISBN: 0240801210 Year: 1993 Publisher: London Focal press

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Book
Framer framed
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ISBN: 1135209944 128370885X 0203699416 1135209952 9781135209957 Year: 1992 Publisher: New York : Routledge,

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Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living is Round, and Surname Viet Given Name Nam.


Book
Fade in : the screenwriting process
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ISBN: 0941188078 Year: 1988 Publisher: Studio City Wiese

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Book
William Faulkner in Hollywood
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ISBN: 0820351148 9780820351148 9780820351131 082035113X Year: 2017 Publisher: Athens University of Georgia Press

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Book
Deutsche Spielfilme von den Anfängen bis 1933 : ein Filmführer.
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ISBN: 3362001319 Year: 1988 Publisher: Berlin Henschel

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Book
The Unmaking of the Arab Intellectual
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ISBN: 1474429009 1474421407 147443567X 1474421415 1474421393 9781474435673 9781474421409 9781474421416 9781474421393 Year: 2022 Publisher: Edinburgh

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Based on close readings of texts, Zeina Halabi counters the prevalent reading of late 20th-century Arabic literature as a neoliberal, apolitical, fragmented discourse.

Sharp Cut : Harold Pinter's Screenplays and the Artistic Process
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ISBN: 0813147956 9780813147956 9780813122441 081318083X 0813180503 Year: 2003 Publisher: Lexington, Kentucky : The University Press of Kentucky,

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Best known as one of the most important playwrights of the twentieth century, Harold Pinter has also written many highly regarded screenplays, including Academy Award-nominated screenplays for The French Lieutenant's Woman and Betrayal, collaborations with English director Joseph Losey, and an unproduced script for the remake of Stanley Kubrick's 1962 adaptation of Lolita. In this definitive study of Pinter's screenplays, Steven H. Gale compares the scripts with their sources and the resulting films, analyzes their stages of development, and shows how Pinter creates unique works of art by extr


Book
Rewriting Indie Cinema
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ISBN: 0231549598 9780231549592 9780231191968 0231191960 9780231191975 0231191979 Year: 2019 Publisher: New York, NY

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Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.


Book
Notions of genre : writings on popular film before genre theory
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ISBN: 1477311092 Year: 2016 Publisher: Austin, Texas : University of Texas Press,

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Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture.

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