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Franse titel : N11382 : Des animaux et des hommes : Témoignages de la Préhistoire et de l'Antiquité

Archéologie --- Art --- Bruxelles --- Exposition --- Préhistoire --- Anthropology. --- archaeology --- animal art --- decorative arts --- Prehistory --- Antiquity --- History of civilization --- Animals --- Pictorial works --- Exhibitions --- Art [Prehistoric ] --- Art [Ancient ] --- Bezoekers tentoonstelling --- #GGSB: Kunst (cataloog tentoonstelling) --- #VCV fonds R. van der Linden --- #VCV monografie 1999 --- #C9112 --- kunst --- prehistorie --- Oudheid --- iconologie --- dieren --- archeozoölogie --- 7.031/032 --- 7.031 --- 7.032 --- 7.042 --- biologie --- geschiedkundige beschrijvingen --- decorative arts [discipline] --- Dieren --- Archeologie --- Mensen --- Kunsten --- Prehistorie --- Geschiedenis --- Dier --- Mens --- Kunst --- Beeldhouwkunst --- Geluid --- Naamgeving --- Vervoer --- Sociologie --- Verzorging --- Geneeskunde --- Techniek (wetenschap) --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Atlas --- Museum --- Filosofie --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde --- Beroep --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Kunst (cataloog tentoonstelling)

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The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History , volume 2

Iconography --- anno 1400-1499 --- anno 1500-1599 --- dieren --- iconografie --- renaissance --- 15de eeuw --- 16de eeuw --- 76.042 --- 76.045 --- 7.04 "13/15" --- 7.042 --- 7.045 --- Iconografie: dieren; fabeldieren in de prentkunst --- Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--?"13/15" --- Iconografie: fauna, dierenrijk, fabeldieren --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Animals in art. --- Animals --- Art, Renaissance --- Symbolic aspects --- Themes, motives. --- Animals -- Symbolic aspects -- Europe. --- Art, Renaissance -- Themes, motives. --- Art. --- Animals in art --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Themes, motives --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- 76.045 Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- 76.042 Iconografie: dieren; fabeldieren in de prentkunst --- Renaissance art --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- dieren. --- iconografie. --- 15de eeuw. --- 16de eeuw. --- Symbolisme des animaux --- Arts de la Renaissance --- Dans l'art --- Europe --- Thèmes, motifs