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C3 --- beeldende kunst --- Wereldoorlog I --- islam --- christendom --- Kunst en cultuur --- Exhibitions --- conflict [general sense] --- Lahlou, Mehdi-Georges --- Identity (Psychology) in art --- Art, Moroccan --- Identité (Psychologie) dans l'art --- Art marocain --- Lahlou, Mehdi-Georges, --- Identité (Psychologie) dans l'art --- sculpting --- performance art --- multiculturalism --- installations [visual works] --- identity --- photography [process] --- video art --- gender issues --- Art --- Art, French --- Photography, Artistic --- Art français --- Photographie artistique --- Exhibitions. --- Expositions
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Catalogue officiel de l'exposition "Qui a peur des femmes photographes? 1839 à 1945" du 14 octobre 2015 au 25 janvier 2016, au musée de l'Orangerie pour les années 1839-1914 et au musée d'Orsay pour les années 1914-1945. S'appuyant sur des recherches nouvelles comme sur les nombreuses histoires de la photographie qui, depuis une quarantaine d'années, ont réévalué l'extraordinaire contribution des femmes au développement du medium, cette exposition et la publication qui l'accompagne sont les premières du genre en France. Le phénomène est en effet appréhendé à travers ses manifestations aussi bien en Europe, essentiellement en France, Grande-Bretagne et Allemagne qu'aux États-Unis, de l'invention officielle de la photographie en 1839 jusqu'en 1945. Ouvrage coédité avec les musées d'Orsay et de l'Orangerie.
photography [process] --- Photography --- anno 1800-1999 --- fotografie --- avant-garde --- seksualiteit --- reizen --- vrouwelijke kunstenaars --- 1839 - 1945 --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Groot-Brittannië --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- vrouwelijkheid --- feminisme --- 77.035/036 --- Exhibitions --- Femme artiste --- Photographe --- Femmes photographes --- Identité sexuelle --- Dans l'art --- Dans l'art. --- reizen; toerisme --- Identité sexuelle --- avant-garde. --- seksualiteit. --- reizen; toerisme. --- vrouwelijke kunstenaars. --- 1839 - 1945. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk. --- Groot-Brittannië. --- Verenigde Staten. --- vrouwelijke kunstenaar
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Femmes peintres --- vrouwelijke kunstenaars --- italianisanten --- Salons (Parijs) --- 1780 - 1830 --- 18de eeuw --- 19de eeuw --- Féminisme --- Identité de genre --- Histoire --- Women painters --- History --- Femmes peintres - Histoire - 18e siècle - Expositions --- Femmes peintres - Histoire - 19e siècle - Expositions --- Femme artiste --- Femme, thème --- vrouwelijke kunstenaars. --- italianisanten. --- Salons (Parijs). --- 1780 - 1830. --- 18de eeuw. --- 19de eeuw.
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"The Bloomsbury Group denied its own existence and yet was one of the most successful and influential groups of the 20th century. The Bloomsbury Look explores how the Bloomsbury group fashioned a coherent, distinctive and radical identity through dress, portraits and art collections"--
History of civilization --- art history --- fashion [concept] --- costume [mode of fashion] --- Bloomsbury Group --- Bloomsbury Group. --- fashion [culture-related concept] --- Woolf, Virginia --- Keynes, Maynard --- Bloomsbury group. --- Bloomsbury group --- Group identity in art. --- Modernism (Aesthetics) --- Groupe de Bloomsbury. --- Groupe de Bloomsbury --- Identité collective dans l'art. --- Modernisme (Esthétique) --- Art, English. --- 1900-1999.
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Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.
Gender identity in art --- Geslachtsidentiteit in de kunst --- Identité sexuelle dans l'art --- Christian art and symbolism --- Gender identity in art. --- Art et symbolisme chrétiens --- Netherlands --- Pays-Bas --- History --- Histoire --- gender --- symbolisme --- religieuze kunst --- 1350 - 1530 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Nederlanden --- Art chrétien --- --Pays-Bas --- --Genre --- --1350-1530 --- --Netherlands --- Art et symbolisme chrétiens --- Identité sexuelle dans l'art --- sex discrimination --- Bourgondische Nederlanden --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Renaissance --- iconography --- worship --- History of the Low Countries --- Art --- House of Burgundy --- anno 500-1499 --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Art, Netherlandish. --- Medieval, 500-1500 --- 1450-1600 (Renaissance) --- House of Burgundy, 1384-1477 --- Symbolism in art --- Middle Ages, 500-1500 --- Christian art and symbolism - Netherlands - Medieval, 500-1500 --- Christian art and symbolism - Netherlands - Renaissance, 1450-1600 --- Genre --- Netherlands - History - House of Burgundy, 1384-1477 --- Netherlands - History - House o Burgundy, 1384-1477 --- gender. --- symbolisme. --- religieuze kunst. --- 1350 - 1530. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Nederlanden. --- Christelijke kunst
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This publication focuses exclusively on British queer art. It features sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. It features works by major artists such as Simeon Solomon, John Singer Sargent, Clare Atwood, Ethel Sands, Duncan Grant, John Minton, Angus McBean, David Hockney and Francis Bacon, alongside less well-known material, such as ephemera, personal photographs, film and magazines
kunst --- 7.035/036 --- gender studies --- homoseksualiteit --- negentiende eeuw --- tekenkunst --- fotografie --- schilderkunst --- twintigste eeuw --- Groot-Brittannië --- Exhibitions --- fin de siècle --- gender --- erotiek --- Bloomsbury Group --- theatraliteit --- 1861 - 1967 --- 19de eeuw --- 20ste eeuw --- 7.037(410) --- 7.041 --- Simeon Solomon (1840-1905, Londen, Groot-Brittannië) --- Pre-Raphaelites --- Frederic Leighton (1830-1896) --- Henry Scott Tuke (1858-1929) --- Aubrey Beardsley (1872-1898) --- Cecil Beaton (1904-1980) --- Angus McBean (1904-1990) --- Duncan Grant (1885-1978) --- Glyn Warren Philpot (1884-1937) --- Gluck (1895-1978) --- Dora Carrington (1893-1932) --- Claude Cahun (geb. Lucy Schwob) 1894-1954 --- Keith Vaughan --- Francis Bacon (1909-1992) --- David Hockney (1937) --- Kunstgeschiedenis ; 1900 - 1950 ; Groot-Brittannië --- Iconografie ; de mens, portretten --- Solomon, Simeon --- Prerafaëlitische kunst ; Groot-Brittannië --- Leighton, Frederic --- Tuke, Henry Scott --- Beardsley, Aubrey --- Beaton, Cecil --- McBean, Angus --- Grant, Duncan --- Philpot, Glyn Warren --- Gluck (Hannah Gluckstein) --- Carrington, Dora --- Cahun, Claude (geb. Lucy Schwob) --- Vaughan, Keith --- Bacon, Francis --- Hockney, David --- Gender Studies --- Homosexuality and art --- Gay artists --- Homosexuality in art. --- Homosexualité et art --- Artistes homosexuels --- Homosexualité --- Identité sexuelle --- Théorie queer --- History. --- Histoire. --- Dans l'art. --- Homosexualité --- Identité sexuelle --- Homosexuality in art --- Art, British --- homoseksualiteit. --- fin de siècle. --- gender. --- erotiek. --- Bloomsbury Group. --- theatraliteit. --- 1861 - 1967. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- queer --- ART --- Art and Design. --- Art britannique --- Art, British. --- Gay artists. --- Gay/Lesbian Interest. --- Homosexuality and art. --- Homosexualität. --- Homosexualité dans l'art --- Homosexualité et art --- Kunst. --- LGBTQ+ artists. --- LGBTQ+ arts. --- Subjects & Themes --- General. --- Histoire --- History --- 1800-1999. --- Gro�britannien. --- Homosexualité et art -- Grande-Bretagne --- Artistes homosexuels -- Grande-Bretagne --- Sexualité --- Queer --- Théorie queer --- Atwood, Clare
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women [female humans] --- nudes [representations] --- Iconography --- portraits --- saints --- Anguissola, Sofonisba --- Masaccio --- Raphael --- Correggio, Antonio Allegri --- Ghirlandaio, Domenico --- Alberti, Leon Battista --- Botticelli, Sandro --- Romano, Giulio --- Piero della Francesca --- Vasari, Giorgio --- Titian --- Leonardo da Vinci --- vrouwen --- gender --- renaissance --- 16de eeuw --- Italië --- Beauté corporelle féminine --- Beauté féminine (Esthétique) --- Corps féminin (Esthétique) --- Feminine beauty (Aesthetics) --- Femme idéale (Esthétique) --- Femmes -- Beauté corporelle --- Femmes dans l'art --- Gender identity in art --- Geslachtsidentiteit in de kunst --- Ideal beautiful women --- Identité sexuelle dans l'art --- Italiaanse schilderkunst --- Italian painting --- Painting [Italian ] --- Peinture italienne --- Schilderkunst [Italiaanse ] --- Schoonheid [Vrouwelijke ] --- Schoonheid van de vrouw --- Vrouwelijke schoonheid (Esthetica) --- Vrouwen in de kunst --- Vrouwen--Schoonheid --- Women in art --- Éternel féminin (Esthétique) --- Painting [Renaissance ] --- Italy --- Painters --- Psychology --- Gender identity in art. --- Painters - Italy - Psychology. --- vrouw --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- 16de eeuw. --- Italië.
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BPB2301 --- identité culturelle --- Belgique --- Belgium --- Bélgica --- Belgija --- Belgien --- Belgie --- Belgicko --- België --- Beļģija --- Белгија --- Belgio --- Белгия --- Belgia --- il-Belġju --- An Bheilg --- Βέλγιο --- Belgjika --- Belgia Kuningriik --- Beļģijas Karaliste --- Royaume de Belgique --- Belgian kuningaskunta --- Belgické kráľovstvo --- Koninkrijk België --- Belgijos Karalystė --- das Königreich Belgien --- Βασίλειο του Βελγίου --- Kingdom of Belgium --- Кралство Белгија --- Краљевина Белгија --- Belgické království --- Reino de Bélgica --- ir-Renju tal-Belġju --- Regatul Belgiei --- Kongeriget Belgien --- Кралство Белгия --- Mbretëria e Belgjikës --- Belga Királyság --- Królestwo Belgii --- Konungariket Belgien --- Reino da Bélgica --- Kraljevina Belgija --- Regno del Belgio --- kulturní identita --- féiniúlacht chultúrtha --- identitet kulturor --- identità culturale --- kultuuriidentiteet --- πολιτιστική ταυτότητα --- kulturel identitet --- kulturelle Identität --- културни идентитет --- kulttuuri-identiteetti --- identitate culturală --- културен идентитет --- tożsamość kulturowa --- културна идентичност --- identidad cultural --- cultural identity --- kulturna prepoznavnost --- kultūras identitāte --- kulturális identitás --- kultúrna identita --- kulturell identitet --- kulturni identitet --- identidade cultural --- kultūrinė tapatybė --- culturele identiteit --- identità kulturali --- kultūras patība --- pagastu sadarbība --- kulturális önazonosság --- pašvaldības iestāžu sadarbība --- kultūrinis tapatumas --- Folklore --- Art --- French literature (outside France) --- iconography --- humor --- performance art --- cartoons [humorous images] --- cultuurgeschiedenis --- anno 1800-1899 --- Zwans tentoonstellingen. --- humor. --- karikaturen. --- Le Diable au Corps (1893-1895). --- Ghémar, Louis. --- 19de eeuw. --- België. --- Zwans tentoonstellingen --- karikaturen --- Le Diable au Corps (1893-1895) --- Ghémar, Louis --- 19de eeuw
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Vlaamse katholieke intellectuelen en kunstenaars maakten tussen de twee wereldoorlogen voortdurend gewag van ordeloosheid en onttovering. In een complexer wordende wereld werd het spiritueel deficit steeds groter. Om aan die spiraal te ontsnappen, riepen ze hun artistieke realisaties en esthetische theorieën uit tot remedies. Kunst werd een middel om regelmaat en eenheid te brengen in het leven. Tegelijk deed zij dienst als dé opstap naar het eeuwige raadsel. Kunst werd een kwestie van systematische beheersing en sacrale overgave, van meetzucht en mateloosheid. Rajesh Heynickx onderzoekt in Meetzucht en mateloosheid hoe tijdens het interbellum in Vlaamse katholieke kringen oude geloofswaarheden in nieuwe artistieke vormen werden omgezet. Bovendien toont hij hoe moderne romans, gebouwen en schilderijen een traditionele geloofswereld in zich meedroegen. De voorvechter van het Nieuwe Bouwen, Huib Hoste, werd in zijn vernieuwingsdrang afgeremd door zijn katholicisme. De romanvernieuwer Gerard Walschap was naast atheïst ook thomist. En de promotor van de abstracte schilderkunst Michel Seuphor leefde, zoals zijn vergeten bekering leert, in de glazen kooi van zijn katholieke opvoeding. Expressionisten die de middeleeuwer Thomas van Aquino als een goeroe vereerden, een art-deco restaurant met de naam Rerum Novarum, loopgravenkunst met mystieke ambities, erudiete priester-dichters vol van nostalgie, betonkerken: Meetzucht en mateloosheid bestrijkt de bandbreedte tussen amechtig herinneren en utopisch dromen. De religieuze geschiedenis vormt in dit boek een uitvalsbasis om de verbindingen tussen geloof en identiteit te exploreren en het meerzinnige karakter van pionierende modernisten te doorgronden. Daarmee werpt Meetzucht en mateloosheid een prangende vraag op over het Vlaamse interbellum: waarom kon ‘modern zijn’ nooit met een complexloos ‘eigentijds zijn’ samenvallen?
History of civilization --- Hoste, Huib --- Bruyne, de, Edgar --- Seuphor, Michel --- Reypens, Leonce --- Walschap, Gerard --- Muls, Jozef --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Flanders --- Bruyne, Edgar de --- Joostens, Paul --- Ostaijen, Paul van --- Servaes, Albert --- Vlaanderen --- geschiedenis --- kunst --- kunstfilosofie --- katholicisme --- interbellum --- De Bruyne, Edgar --- 20ste eeuw --- Arts, Belgian --- Arts and religion --- Christianity and art --- History --- Catholic Church --- C3 --- religieuze kunst --- Vlaams Gewest [gewest in land België - BE] --- 7.01 --- 7.037 --- Kunsttheorie ; over kunst en religie tijdens Vlaamse Interbellum --- Kunst ; architectuur ; literatuur ; Vlaanderen ; 1918-1940 --- Reypens, Léonce ; De Pelgrim --- Ruusbroecgenootschap --- Muls, Josef --- Proefschriften ; doctoraat K.U. Leuven ; Moderne Geschiedenis --- Doctoraat in de geschiedenis ; KU Leuven --- Onderzoek in de kunsten --- Heynickx, Rajesh --- 93/94 --- 94.035 --- 7.03 --- 930.8 --- 1 --- 2 --- Kunst en cultuur --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1900 - 1950 --- Geschiedenis --- Geschiedenis 19de eeuw --- Kunstgeschiedenis --- Cultuurgeschiedenis --- Cultuur (geschiedenis) --- Filosofie --- Religie --- Catholic Church. --- Bruyne, Edgar de, --- Joostens, Paul, --- Muls, Jozef, --- Ostaijen, Paul van, --- Servaes, Albert, --- Seuphor, Michel, --- Vlaanderen. --- Catholic Church and art --- Belgian arts --- Arts --- Religion and the arts --- Religion --- Religious aspects --- 711.168 <493> --- 930.25 <493> --- 711.168 <493> Planologie: restauratieplannen; wederopbouwplannen; herbouwplannen--België --- Planologie: restauratieplannen; wederopbouwplannen; herbouwplannen--België --- 930.25 <493> Archiefwetenschap. Archivistiek--België --- Archiefwetenschap. Archivistiek--België --- van Ostaijen, Paul --- Arts, Belgian - Belgium - Flanders - 20th century --- Arts and religion - Belgium - Flanders - History - 20th century --- Christianity and art - Catholic Church --- Identité collective --- Flandre (Belgique) --- Architecture flamande --- ART FLAMAND --- Vie intellectuelle --- Histoire religieuse --- 19E-20E SIECLES --- 20e siècle --- geschiedenis. --- kunst. --- kunstfilosofie. --- katholicisme. --- interbellum. --- Seuphor, Michel. --- Joostens, Paul. --- van Ostaijen, Paul. --- De Bruyne, Edgar. --- Muls, Jozef. --- Servaes, Albert. --- 20ste eeuw.
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