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The Penguin book of Caribbean verse in English
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ISBN: 0140585117 Year: 1986 Publisher: Harmondsworth : Penguin Books,

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Verbal riddim : the politics and aesthetics of African-Caribbean dub poetry
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ISBN: 9051835493 9789051835496 9789004483699 Year: 1993 Volume: 9 Publisher: Amsterdam Editions Rodopi B.V.

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This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society. The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim , based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.

The language of Caribbean poetry : boundaries ef expression.
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ISBN: 0813027624 Year: 2004 Publisher: Gainesville University press of Florida

Race, American literature and transnational modernisms
Author:
ISBN: 9780521349567 9780521884051 9780511485619 0511394446 9780511394447 9780511392467 051139246X 9780511395093 0511395094 0511485611 0521884055 1107186072 9781107186071 1281370827 9781281370822 9786611370824 661137082X 0511391153 9780511391156 0521349567 051139375X Year: 2008 Publisher: Cambridge New York Cambridge University Press

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Abstract

Modernist poetry crosses racial and national boundaries. The emergence of poetic modernism in the Americas was profoundly shaped by transatlantic contexts of empire-building and migration. In this ambitious book, Anita Patterson examines cross-currents of influence among a range of American, African American and Caribbean authors. Works by Whitman, Poe, Eliot, Pound and their avant-garde contemporaries served as a heritage for black poets in the US and elsewhere in the New World. In tracing these connections, Patterson argues for a renewed focus on intercultural and transnational dialogue in modernist studies. This bold and imaginative work of transnational literary and historical criticism sets canonical American figures in fascinating contexts and opens up readings of Langston Hughes, Derek Walcott, and Aime Cesaire. This book will be of interest to scholars of American and African American literature, modernism, postcolonial studies, and Caribbean literature.

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