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This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society. The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim , based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.
English literature --- Caribbean Area --- Africa --- Caribbean area --- Litterature antillaise --- Poesie antillaise --- Caribbean poetry (English) --- Jamaican poetry --- Black authors --- History and criticism
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Caribbean poetry (English) --- English language --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Germanic languages --- English poetry --- Caribbean literature (English) --- History and criticism --- Variation --- Style --- Caribbean Area --- In literature. --- POESIE ANTILLAISE DE LANGUE ANGLAISE --- ANGLAIS (LANGUE) --- MODERNISME (LITTERATURE) --- REGION CARAÏBE --- HISTOIRE ET CRITIQUE --- CARAIBES --- CARAÏBES --- DANS LA LITTERATURE
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Modernist poetry crosses racial and national boundaries. The emergence of poetic modernism in the Americas was profoundly shaped by transatlantic contexts of empire-building and migration. In this ambitious book, Anita Patterson examines cross-currents of influence among a range of American, African American and Caribbean authors. Works by Whitman, Poe, Eliot, Pound and their avant-garde contemporaries served as a heritage for black poets in the US and elsewhere in the New World. In tracing these connections, Patterson argues for a renewed focus on intercultural and transnational dialogue in modernist studies. This bold and imaginative work of transnational literary and historical criticism sets canonical American figures in fascinating contexts and opens up readings of Langston Hughes, Derek Walcott, and Aime Cesaire. This book will be of interest to scholars of American and African American literature, modernism, postcolonial studies, and Caribbean literature.
Caribbean poetry (English) --- Transnationalism in literature. --- American poetry --- Influence (Literary, artistic, etc.). --- Modernism (Literature) --- Postcolonialism in literature. --- African American authors --- History and criticism. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- English poetry --- Caribbean literature (English) --- Arts and Humanities --- Poésie américaine --- Littérature américaine --- Transnationalisme --- 20e siècle --- Histoire et critique --- Auteurs noirs américains --- Dans la littérature
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