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Traité de peinture genre vernis Martin, sur bois blanc et autres : peinture à l'eau et à l'huile sur bois naturel, peinture à l'huile sur carton, papier, plaque de tôle, de zinc, etc., et sur pierre, marbre, métaux, etc.
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Publisher: Paris Le Bailly

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Book
Incisori tedeschi del Cinquecento
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ISBN: 9788833670744 8833670740 Year: 2019 Publisher: Milano Officina libraria

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L'incisione moderna nacque nel XVI secolo in territorio tedesco. Quando la Germania non era ancora stato unitario, gli artisti di lingua tedesca svilupparono un efficiente sistema di produzione e diffusione delle stampa che ne elevò lo status, da mezzo di moltiplicazione delle immagini a basso costo, a linguaggio artistico indipendente. Ciò avvenne principalmente grazie a una delle massime menti del Rinascimento, quella di Albrecht Dürer: ma le sue intuizioni furono replicate, sviluppate e consolidate da una formidabile schiera di maestri incisori. Questo è il primo studio comprensivo in lingua italiana sull'argomento: raccoglie le biografie, una bibliografia di riferimento e un'antologia di opere rappresentative di oltre sessanta artisti compresi tra l'ultimo decennio del Quattrocento e la fine del secolo successivo, da Schongauer ai Piccoli Maestri di Norimberga, da Cranach a Altdorfer, passando per figure meno note e confronti con l'Italia, la Francia, la Svizzera e le Fiandre. Completa il testo una selezione di saggi che approfondiscono il mondo dell'incisione tedesca nelle sue molteplici sfaccettature storiche, tecniche e di espressione visiva.


Book
Schilderijen restaureren : beoordelen, restaureren, conserveren
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ISBN: 9060103823 9789060103821 Year: 1977 Publisher: Naarden A.J.G. Strengholt

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Book
Engraving and etching 1400-2000 : a history of the development of manual intaglio printmaking processes
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ISBN: 9789061945918 9781904982715 Year: 2012 Publisher: Londen Houten Archetype Publications Hes & De Graaf

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This book surveys the history of the techniques of engraving, etching and plate printing - ie that of manual intaglio printmaking processes - from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking. The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today. This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.


Book
L'eau-forte est à la mode : 1840-1910
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ISBN: 9788894904338 9782830602777 8894904334 2830602773 Year: 2020 Publisher: Tesserete Pagine d'Arte

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Décidément, l'eau-forte devient à la mode", constate Charles Baudelaire en avril 1862. Il souligne l'intérêt croissant pour ce médium qui semble d'être spontané et direct. La ligne de l'eau-forte laisse une grande liberté, évoque le geste du dessin et ne demande pas une longue formation. Une grande variété de sujets est traitée: le portrait, le paysage naturel ou urbain, des frontispices ou l'illustration de textes. Mais ce n'est pas l'approche thématique qui prime, au contraire, c'est souvent la recherche sur la fonction de la ligne, l'espace, l'atmosphère ou le mystère qui motivent les artistes. À cette époque l'eau-forte est considérée comme un art moderne. 0La publication et l'exposition (Musée d'art et d'histoire de Genève : 4 septembre - 13 décembre 2020) qui l'accompagne mettent en évidence ces recherches artistiques, de la ligne aux concentrations extrêmes, jusqu'à la surface presque noire. C'est une approche qui se voit très vite répandue partout, en France comme aux pays anglophones, au nord de l'Europe comme aussi en Italie.

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