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"From his early miniatures of famous artists' studios to his interior views of architecture maquettes taken with a large-format camera, along with his 'improbable archives" and "toolboxes", Philippe De Gobert's work, heir to Joseph Cornell's surrealist cabinets of curiosities, abounds with the joy of amusing consturctions and illusions. The first notion that springs to mind to describe his creations is the microcosm, as it conjures up reduced-scale models, the chasms of parallel universes and the absorption of creators and viewers alike, who plunge into them through their imaginations."

Artists --- Artistes --- Gobert, Philippe de, --- Architectural models --- Architecture in art --- Modèles architecturaux --- Architecture dans l'art --- Modèles architecturaux --- Photographie --- Exposition --- De Gobert, Philippe --- Exhibitions --- Architecture --- architecture [discipline] --- architectural history --- sites [locations] --- archaeological sites --- industrial heritage --- patrimony --- Grand Hornu [Boussu] --- Le Grand Hornu [Boussu]

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sculpting --- Sculpture --- art [fine art] --- installations [visual works] --- Art --- Berenhaut, Marianne --- Belgium --- Texte Jan Braet --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Berenhaut Marianne --- installaties --- 7.071 BERENHAUT --- Criticism and interpretation --- Exhibitions --- Musée des Arts contemporains au Grand Hornu --- art [discipline]

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hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2009 --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- 7.039 --- 7.038 --- 7(03) --- 7.04 --- Tentoonstellingscatalogi ; Grand-Hornu ; Musée des Arts Contemporains (Mac) --- Beeldende kunst ; atlas van afbeeldingen ; 1980-2007 --- Iconografie ; vergelijkende afbeeldingen --- Kunst ; encyclopedieën --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstgeschiedenis ; 1950 - 2000 --- Iconografie --- departement Beeldende Kunst 11 --- kunst 20-21ste eeuw