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Music --- Arno --- Kunstenaars --- Kunstenaar

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De intervieuws van Hilde Van Canneyt zijn voor kunstenaars een uitdagende zelfbevraging. Het zijn eerlijke woord-portretten die vaak letterlijk de taal van de gesprekspartner weergeven. Zo krijgt de lezer een unieke inkijk in het atelier en het hoofd van de kunstenaar. Wat speelt er zich af achter het gordijn van het atelier en het beeldend kunstgebeuren? Wat gebeurt er tussen de eerste gedachtekronkel en het afgewerkt kunstproduct? Hoe moet je als kunstenaar alle elementen die in je geest borrelen, omzetten in een kunstwerk dat je kwetsbaar maakt, maar tegelijkertijd de kijker moet beroeren? Dat is Hilde's vraagstelling: waarom sluit iemand zich op om te communiceren via een creatie? Hoe om te gaan met de fictieve wereld van het kunstwerk tegenover de niet altijd even mooie realiteit? Want kunst maken is sowieso een proces. Helaas zie je als kijker slechts het eindresultaat, terwijl de weg er naartoe even boeiend is. Machaël Borremans, Luc Tuymans, Anne-Mie Van Kerckhoven, Hans Op de Beeck, Rinus Van de Velde, Bendt Eyckermans en meer dan honderd andere kunstenaars lieten zich verleiden tot een openhartig gesprek met Hilde.

artists [visual artists] --- Artists --- Netherlands --- Belgium --- 7.071 --- Beeldende kunstenaars ; België ; interviews --- Belgische kunstenaars ; over hun werk ; hun identiteit --- Belgische kunstenaars ; 21ste eeuw ; gesprekken met --- Kunst ; kunstenaars en beroep --- Art --- interviews --- art [fine art] --- art [discipline]

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In 2014, Femmy Otten (1981) was one of three artists who were selected by the government to make an official portrait of King Willem-Alexander. Otten refuses to comply with the scope of canvas or paper. She mainly distinguishes herself by her complex wall compositions, bringing together two- and threedimensional elements. Images of women and of mythological creatures, made of plaster or wood, rise out of a bright white wall. Drawings in serene lines, watery-coloured monsters, mythological creatures and pastel-painted motifs and frescoes complete the mythical world in which Otten creates her poetic logic. This publication offers readers an intimate glimpse into the artisanal and laborious working process of this extraordinary artist. Exhibition: Galerie Fons Welters, Amsterdam, The Netherlands (10.09.-06.11.2016).

Otten, Femmy, --- 7.07 --- Beeldende kunst ; 2010-2016 ; Femmy Otten --- Otten, Femmy °1981 (°Amsterdam, Nederland) --- Vrouwelijke kunstenaars ; 21ste eeuw --- Performances --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Otten, Femmy

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We live in hysterical times. Even when the world came to a screeching halt and the apocalypse did not announce itself with "lightning and thunder" or "archangel trumpets", but through the silence of empty streets and lives treamed funerals, we were flooded with interpretations, opinions, soundbites, convoluted powerpoints and, as if things were not bad enough already, a newly invigorated moralism disguised in the prêt-à-porter rags of Art. It was supposed to be a time of introspection but when the smog had cleared, we discovered there was no revolution in the air and yet we called our despair hope to mask our powerlessness. But amidst this turmoil of timeliness, we seemed to have forgotten this most untimely of all human endeavors; laughter. [...] Using the formalistic conventions of an ironic heritage, he nevertheless attains the expression of something sincere. Like the philosophical idiot who did his utmost best to unlearn all the fallacies he was acquitted with since birth and now only knows he knows nothing, the artist made the world into his own theatre wherein he can stump around like a bull in a china shop with the grace of a prima ballerina. Forcing a pathway to possible exits by presenting us with the alloy of his observations, imagination and scattershot references. Not merely asking questions, which seems to be the hype in contemporary art nowadays, he is unraveling the framework wherein these questions originate. The image deconstructed by the story of its creation. Alternating between the power and impotence of the theatrical madness at the end of the world as we know it William Ludwig Lutgens presents with his Comedy of Humours the dysfunctional family of man. (Extract out of text by Michaël Van Remoortere) Exhibition: De Garage, Mechelen, Belgium (18.03.-29.05.2022).

7.07 --- Lutgens, William Ludwig --- Belgische kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Art --- installations [visual works] --- easel paintings [paintings by form] --- human figures [visual works] --- mixed media works --- paintings [visual works]

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Axell, Evelyne --- Pop art --- 75.07 --- 7.07 --- Schilderkunst ; 20ste eeuw ; Evelyne Axell --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Pop-Art --- Axell, Evelyne (pseudoniem van Evelyne Devaux) 1935-1972 (°Namen, België) --- Psychedelische kunst --- Psychedelisch - erotische kunst --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Schilderkunst ; schilders A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Axell, Evelyne, --- Exhibitions --- Painting