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Drama --- Comic [The ] --- Comique [Le ] --- Komische [Het ] --- Comic, The --- Comedy --- History and criticism --- Comic, The. --- History and criticism. --- Comedy - History and criticism
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Erasmus, Desiderius --- Comic [The ] in literature --- Comique [Le ] dans la littérature --- Komische [Het ] in de literatuur --- Criticism and interpretation --- ERASME, DIDIER (1469-1536) --- THEOLOGIE --- OEUVRES --- CRITIQUE ET INTERPRETATION --- MORIA --- ETUDE ET INTERPRETATION
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Fiction --- Thematology --- English literature --- anno 1800-1999 --- Comic [The ] in literature --- Comique [Le ] dans la littérature --- Komische [Het ] in de literatuur --- Lach in de literatuur --- Laughter in literature --- Rire dans la littérature --- English fiction --- History and criticism --- Humorous stories [English ]
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Dans une première partie, l'auteur étudie la comédie comme genre ("Qu'est-ce que la comédie?", p. 3-29). Puis il dresse un panorama historique des âges de la comédie depuis Aristophane jusqu'à Feydeau. Une troisième partie commente et analyse les fondements dramaturgiques, esthétiques et philosophiques de la comédie, p. 147-204. Anthologie de textes critiques. Notions clefs. Notices biographiques. Tableau chronologique.
Comic [The ] --- Comique [Le ] --- Komische [Het ] --- European drama (Comedy) --- Comédie européenne --- Comédie européenne --- Comedy --- History and criticism --- Comédie --- History and criticism. --- Histoire et critique --- French drama (Comedy) --- European drama (Comedy) - History and criticism --- Comedy - History and criticism
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Bringing to bear insights from Jewish, literary, and cultural studies, Sarah Blacher Cohen sheds new light on the works of one of America's foremost writers. Arguing persuasively that Ozick's fiction is a form of comedy, Cohen interweaves religion and literature, skillfully illuminating the complex relationship between the comic and the sacred. Where others have emphasized Ozick's intellectualism and Jewish learning, Cohen foregrounds whimsicality, grotesque realism, irony, satire, and exuberance as the defining characteristics of Ozick's art in such works as Trust, The Cannibal Galaxy, The Messiah of Stockholm, "The Pagan Rabbi," and the Puttermesser stories.
Ozick, Cynthia --- Comic, The, in literature. --- Jewish women --- Jews in literature. --- Judaism in literature. --- Women and literature --- Intellectual life --- History --- Comic [The ] in literature --- Comique [Le ] dans la littérature --- Jews in literature --- Joden in de literatuur --- Jodendom in de literatuur --- Judaism in literature --- Judaisme dans la littérature --- Juifs dans la littérature --- Komische [Het ] in de literatuur --- Criticism and interpretation --- Ozick, Cynthia - Criticism and interpretation.
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Literature --- Comic [The ] in literature --- Comique [Le ] dans la littérature --- Esprit et humour --- Geestigheid and humor --- Komische [Het ] in de literatuur --- Wit and humor --- Comic, The --- Comic, The, in literature --- Comique --- Comique dans la littérature --- --Rire --- --Wit and humor --- History and criticism --- Geestigheid en humor --- Comique dans la littérature --- Rire --- Wit and humor - History and criticism
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Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Lach in de literatuur --- Laughter in literature --- Rire dans la littérature --- Literature --- -humor in literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism --- Humor in literature. --- Laughter in literature. --- History and criticism. --- Rire --- Essais --- Esprit et humour --- Comique, le --- Ironie --- Histoire
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Although the question of humour in the surviving corpus of Old English literature has rarely been discussed, the potential for analyzing this literature in terms of its humor is in fact considerable. In the essays especially commissioned for this volume, the first book-length treatment of Anglo-Saxon humor, eight of the foremost scholars in the field use different approaches to explore humor in the surviving literature of Anglo-Saxon England, in such works as 'Beowulf' and 'The Battle of Maldon', the riddles of the Exeter book, and Old English saints' lives. The articles are prefaced with an introduction surveying the field. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach. JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the 'Old English Newsletter'.
Comic [The ] in literature --- Comique [Le ] dans la littérature --- Komische [Het ] in de literatuur --- Thematology --- Old English literature --- Comic, The, in literature --- English literature --- English wit and humor --- History and criticism --- Old English, ca. 450-1100 --- English wit and humor - History and criticism. --- Comic, The, in literature. --- History and criticism.
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Comic [The ] in literature
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Comique [Le ] dans la littérature
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Komische [Het ] in de literatuur
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Aristophanes
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-Criticism and interpretation
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Criticism and interpretation.
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Aristofan
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Arystofanes
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Aristophane
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Aristofane
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Arisutopanesu
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Arisutofanesu
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Aristófanes
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אריסטופאנוס
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אריסטופאנס
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אריסטופאנס. כספי זיוה
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אריסטופניס
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אריסטופנס
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Ἀριστοφάνης
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Criticism and interpretation
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Aristophanes Comicus
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Aristophanes.
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Komik.
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Komik
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HISTORY / Ancient / General.
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Comic [The ] in literature --- Comique [Le ] dans la littérature --- Komische [Het ] in de literatuur --- English wit and humor --- English literature --- Humorous stories, English --- Humorous poetry, English --- English drama (Comedy) --- Comic, The, in literature. --- History and criticism. --- History and criticism --- 19th century --- Humorous stories [English ] --- Humorous poetry [English ]
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