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This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse--by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course.

82:791.43 --- 82-3 --- #SBIB:309H507 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature --- -Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Discourse analysis, Narrative. --- Motion pictures and literature. --- Fiction --- Narration (Rhetoric). --- Technique. --- Discourse analysis, Narrative --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Narrative discourse analysis --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Technique --- Philosophy --- Rhetoric --- Narratees (Rhetoric) --- Literature --- Fiction writing --- Writing, Fiction --- Authorship --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - Technique

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1. Narrative Schema. Psychological use value. Logical transformations in narrative. Pragmatic forms in narrative. Cognitive schemas and other ways of associating data. A proposal for a narrative schema. The Girl and Her Trust. Causality and schema##2. Story World and Screen. A preliminary delineation of narrative in film. Top-down perception. Temporal and spatial order. Causality and metaphor. Impossible story space. Screen space and stylistic metaphors##3. Narration. Knowing how. Disparities of knowledge. Hierarchies of knowledge. Nick Fury as an example. Forgetting and revising##4. Levels of Narration. Eight levels. An implied author and a chameleon text. Focalization. Communication. Text under a description.

791.43 --- 82:791.43 --- 82:3 --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Literatuur en film --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Motion picture plays --- Motion pictures and literature --- Narration (Rhetoric) --- #SBIB:309H507 --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and criticism --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature. --- Narration (Rhetoric). --- History and criticism. --- Scénarios de cinéma --- Cinéma et littérature --- Narration --- Histoire et critique --- film --- filmtheorie --- narratologie --- filmgeschiedenis --- film en literatuur --- 791.41 --- CDL

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791.43.01 --- 82:791.43 --- Motion pictures --- Motion pictures and literature --- Narration (Rhetoric) --- #SBIB:309H523 --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmologie. Filmtheorie. Esthetica van de film --- Literatuur en film --- Audiovisuele communicatie: verhaalanalyse --- History and criticism --- 82:791.43 Literatuur en film --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film