Listing 1 - 5 of 5 |
Sort by
|
Choose an application
This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse--by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course.
82:791.43 --- 82-3 --- #SBIB:309H507 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature --- -Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Discourse analysis, Narrative. --- Motion pictures and literature. --- Fiction --- Narration (Rhetoric). --- Technique. --- Discourse analysis, Narrative --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Narrative discourse analysis --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Technique --- Philosophy --- Rhetoric --- Narratees (Rhetoric) --- Literature --- Fiction writing --- Writing, Fiction --- Authorship --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - Technique
Choose an application
Les processus transmédiaux et adaptatifs dans la condition médiatique actuelle constituent le noyau de cet ouvrage. D'un côté, il s'agit de situer les processus adaptatifs dans un contexte technologique, qui, par sa nature, opère quotidiennement des formes d'adaptation, et cela même de façon involontaire. D'un autre côté, il s'agit de mettre en lumière non seulement le phénomène de la transmédialité mais également la collectivisation de l'acte narratif qu'il induit de plus en plus souvent.Or, il semble que ce phénomène soit demeuré en arrière-plan dans le contexte médiatique de cette dernière décennie. Entre ces deux intérêts, comme pivot de cette collaboration, se trouve l'analyse des relations entre le médium bédéique et le vaste univers médiatique. En effet, la bande dessinée représente, de l'avis de l'équipe directrice, un moyen de construire des espaces narratifs très particuliers, et son étude, contextualisée dans l'ère numérique, ouvre des voies indispensables pour mieux comprendre et cerner la manière dont les espaces narratifs numériques seront construits dans un futur proche.Ainsi ce riche travail collectif est-il, à ce titre, l'un des tout premiers à être consacré intégralement à ce sujet. Construit en deux parties, l'une traitant des adaptations littéraires en bandes dessinées, l'autre des adaptations cinématographiques de bandes dessinées, il mêle approches théoriques et analyses d'oeuvres spécifiques et ouvre la porte à la fois d'une pratique culturelle en perpétuelle transformation et d'un champ de recherche encore plein d'avenir.
Choose an application
1. Narrative Schema. Psychological use value. Logical transformations in narrative. Pragmatic forms in narrative. Cognitive schemas and other ways of associating data. A proposal for a narrative schema. The Girl and Her Trust. Causality and schema##2. Story World and Screen. A preliminary delineation of narrative in film. Top-down perception. Temporal and spatial order. Causality and metaphor. Impossible story space. Screen space and stylistic metaphors##3. Narration. Knowing how. Disparities of knowledge. Hierarchies of knowledge. Nick Fury as an example. Forgetting and revising##4. Levels of Narration. Eight levels. An implied author and a chameleon text. Focalization. Communication. Text under a description.
791.43 --- 82:791.43 --- 82:3 --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Literatuur en film --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Motion picture plays --- Motion pictures and literature --- Narration (Rhetoric) --- #SBIB:309H507 --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and criticism --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature. --- Narration (Rhetoric). --- History and criticism. --- Scénarios de cinéma --- Cinéma et littérature --- Narration --- Histoire et critique --- film --- filmtheorie --- narratologie --- filmgeschiedenis --- film en literatuur --- 791.41 --- CDL
Choose an application
TABLE OF CONTENTS##- Narrative and two other text-types##- Description is no textual handmaiden##- What is description in the cinema?##- Argumentation in film: Mon oncle d'Amérique##- In defense of the implied author##- The implied author at work##- The literary narrator##- The cinematic narrator##- A new point of view on "point of view"##- A new kind of film adaptation: The French lieutenant's woman##- The "rhetoric" "of" "fiction."
Motion pictures and literature --- Cinéma et littérature --- --Narration --- --Sémiotique --- --History and criticism. --- Fowles, John, --- Récit filmique --- Analyse filmique --- The French lieutenant's woman (film) --- Cinéma et littérature --- 82:791.43 --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Analyse du discours narratif --- Narration --- Cinéma --- Narration (Rhetoric) --- Fiction --- Motion picture plays --- Motion pictures and literature. --- Motion pictures --- History and criticism. --- Semiotics. --- Narration (Rhetoric). --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Semiotics --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- History and criticism --- Film --- --Littérature --- Criticism and interpretation. --- Roman --- Scénarios de cinéma --- Cinéma --- Histoire et critique --- Sémiotique --- Narration. --- Cinéma. --- Analyse du discours narratif. --- Récit filmique. --- Cinéma et littérature. --- Analyse filmique. --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - History and criticism. --- Motion picture plays - History and criticism. --- Motion pictures - Semiotics. --- Littérature --- Sémiotique --- Fowles, John, - 1926- - Criticism and interpretation. --- Fowles, John, - 1926 --- -Fiction --- -Film
Choose an application
791.43.01 --- 82:791.43 --- Motion pictures --- Motion pictures and literature --- Narration (Rhetoric) --- #SBIB:309H523 --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmologie. Filmtheorie. Esthetica van de film --- Literatuur en film --- Audiovisuele communicatie: verhaalanalyse --- History and criticism --- 82:791.43 Literatuur en film --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film
Listing 1 - 5 of 5 |
Sort by
|