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Mollet, Heinz --- Heinz Mollet; --- art exhibition; --- Bern, Switzerland

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Art museums --- Art --- Social aspects --- Philosophy --- Exhibition techniques --- Philosophy. --- Social aspects. --- Exhibition techniques. --- Art museums - Social aspects --- Art museums - Philosophy --- Art - Exhibition techniques

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An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

exhibition curators --- art [fine art] --- museology --- Museology --- Art --- anno 1900-1999 --- Art exhibition audiences --- 069.01 --- 7.091 --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Art museum attendance --- Arts audiences --- 7.091 Kunstuitvoeringen. Kunstvoorstellingen. Reizende tentoonstellingen --- Kunstuitvoeringen. Kunstvoorstellingen. Reizende tentoonstellingen --- 069.01 Museologie --- Museologie --- Exhibition techniques --- Display techniques --- Audiences --- Art exhibition audiences. --- Exhibition techniques. --- Techniques d'exposition --- 069 --- ed. by Reesa Greenberg, Bruce W. Ferguson, Sandy NAirne --- kunst --- kunst en architectuur --- kunst en interieurarchitectuur --- musea --- postmodernisme --- tentoonstellingen --- twintigste eeuw --- Musée --- Exposition --- Organisation de l'espace intérieur --- Expositions --- Publics --- art [discipline] --- tentoonstellingsorganisme

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"The increasing trend towards collaborations between practising artists and museum curators has in some cases involved the rehanging of existing collections or redesigning of gallery spaces. In this way the probing instinct of the creative mind counterbalances the sense of permanence and order associated with the museum in a constructive dialogue involving elements of the past, present and future."--BOOK JACKET.

museology --- Museology --- Art --- kunst --- musea --- museologie --- collecties --- verzamelingen --- 069 --- Artists and museums --- Art, Modern --- Installations (Art) --- Museums --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Museums and artists --- Art museums --- Exhibition techniques --- Philosophy --- Display techniques

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Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself." It often does this by incorporating and inhabiting the social role it sets out to critique—as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks—institutional critique, with its site-specific examination of cultural context ; performance ; feminism, with its investigation of identity formation ; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003—including the performance script for the docent's tour that gives the book its title—both documents and represents her work. The writings in Museum Highlights are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical "artistic practice" as cultural resistance ; performance scripts that explore art institutions and the public sphere ; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, "Isn't This a Wonderful Place ? (A Tour of a Tour of the Guggenheim Bilbao)," reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.

Fraser, Andrea. --- Performance art --- Artists and patrons --- Artists and museums --- Arts and society --- Arts audiences --- Art --- Hierarchies --- Exhibition techniques --- Evaluation --- Fraser, Andrea --- Written works --- Aesthetics --- Social aspects --- Written works. --- Aesthetics. --- Performance --- Féminisme --- Femme artiste --- Ecrit d'artiste --- Performance art - United States --- Art - Exhibition techniques - Evaluation --- Fraser, Andrea - Written works --- Fraser, Andrea - Aesthetics