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This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.
health --- healing --- ancestral mediation --- illness --- activism --- women’s rights --- spirituality --- Oshun --- eroticism --- God --- Oya --- ghost --- spirits --- honey --- storms --- caul --- the amen corner --- james baldwin --- black feminism --- sermon --- art --- literature --- music --- black preacher --- religion --- gospel music --- Thomas Dorsey --- Nettie Dorsey --- blues --- maternal death --- infant mortality --- hapticality --- Gnosticism --- womanist theology --- African American women --- Toni Morrison --- Song of Solomon --- Paradise --- The Source of Self-Regard --- Phillis Wheatley --- race --- Thomas Jefferson --- Christianity --- African American women writers --- 1970 --- extra-naturalism --- African American women’s spirituality --- nommo --- multimodal narrative --- self-actualization --- community --- asylum hill project --- naming --- pre-emancipation --- genealogy --- grounds of contention --- (in)visible --- revisionist interrogation --- spiritual translation --- uppity --- womanist --- n/a --- women's rights --- African American women's spirituality
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The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
Amman. --- Dionysos. --- Dionysus. --- Hellenistic Judaism. --- Hohelied. --- Song of Songs. --- hellenistisches Judentum. --- Sozialgeschichtliche Exegese --- Zeithintergrund --- RELIGION / Biblical Reference / Language Study. --- Historischer Hintergrund --- Geschichtlicher Hintergrund --- Sozialwissenschaftliche Exegese --- Exegese --- Dionysus --- Bible. --- Criticism, interpretation, etc. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- Aga-sŏ (Book of the Old Testament) --- Asma Asmatōn (Book of the Old Testament) --- Cantar de los Cantares de Salomón (Book of the Old Testament) --- Cântarea-a Cântărilor (Book of the Old Testament) --- Cantica Canticorum (Book of the Old Testament) --- Canticle of Canticles (Book of the Old Testament) --- Canticles (Book of the Old Testament) --- Cantico dei Cantici (Book of the Old Testament) --- Canticum Canticorum Salomonis (Book of the Old Testament) --- Cantique des Cantiques (Book of the Old Testament) --- Énekek Éneke (Book of the Old Testament) --- Erg Ergotsʻ Soghomoni (Book of the Old Testament) --- Hohelied (Book of the Old Testament) --- Hooglied (Book of the Old Testament) --- Lied der Lieder (Book of the Old Testament) --- Musthikaning Kidung anggitane Sang Prabu Suleman (Book of the Old Testament) --- Musthikaning Kidung (Book of the Old Testament) --- Nashīd al-Anāshīd (Book of the Old Testament) --- Nashīd al-Anshād (Book of the Old Testament) --- Shir ha-Shirim (Book of the Old Testament) --- Solomon, Song of (Book of the Old Testament) --- Song of Solomon (Book of the Old Testament) --- Song of Songs (Book of the Old Testament)
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