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Acting --- Movement (Acting) --- Gesture --- Human body --- Mouvement (Art dramatique) --- Art dramatique --- Gestes --- Corps humain --- History --- Social aspects --- Histoire --- Aspect social --- Théâtre
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Bouvier, Nicolas --- Anatomy, Artistic --- Human figure in art --- Body, Human --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Figure drawing --- Figure painting --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Artistic anatomy --- Human anatomy in art --- Nude in art --- Medicine and art --- Proportion (Art) --- Human body --- Quotations, maxims, etc. --- Quotations, maxims, etc --- Anatomy, Artistic - Exhibitions. --- Human figure in art - Exhibitions. --- Body, Human - Quotations, maxims, etc. - Exhibitions. --- Anatomie --- Tortures
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Das französischsprachige Theater der Spanischen Niederlande des 16. Jahrhunderts verhandelt an einem der Kreuzungspunkte der europäischen Kultur zahlreiche Umbrüche der Frühen Neuzeit. Ausgerichtet auf eine komplexe Identitätsdebatte aktualisiert das Theater ein Spiel, in dessen Mittelpunkt sinnenfreudige Körper stehen.
French language --- Theatrical science --- History of the Low Countries --- anno 1500-1599 --- French drama --- Human body in literature --- Nationalism and literature --- Literature and nationalism --- Literature --- Body, Human, in literature --- Human figure in literature --- French literature --- History and criticism --- History --- French drama - Netherlands - 16th century - History and criticism --- Nationalism and literature - Netherlands - History - 16th century --- Théâtre --- Seizième siècle --- Pays-Bas espagnols
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Body [Human ] in literature --- Corps humain dans la littérature --- Human body in literature --- Lichaam [Menselijk ] in de literatuur --- Menselijk lichaam in de literatuur --- Balzac, Honoré de, --- Mann, Thomas, --- Thomas, Dylan, --- Yourcenar, Marguerite --- Balzac, Honoré de --- Criticism and interpretation --- Mann, Thomas --- Thomas, Dylan --- Balzac --- Thomas --- Yourcenar --- Schéma corporel dans la littérature --- Balzac, Honoré de, - 1799-1850 --- Mann, Thomas, - 1875-1955 --- Thomas, Dylan, - 1914-1953
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French fiction --- Human body in literature --- History and criticism --- Toussaint, Jean-Philippe --- Redonnet, Marie --- Chevillard, Éric --- Criticism and interpretation --- French fiction - 20th century - History and criticism --- French fiction - 21st century - History and criticism --- Toussaint, Jean-Philippe - Criticism and interpretation --- Redonnet, Marie - Criticism and interpretation --- Chevillard, Éric - Criticism and interpretation --- Thématiques --- Corps --- Chevillard, Eric
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Human body --- Body marking --- Rites and ceremonies --- Social aspects --- #SBIB:39A10 --- #SBIB:39A2 --- Anthropology, Cultural. --- Ceremonial Behavior. --- Psychoanalytic Interpretation. --- Body-marking --- Body modification, Non-therapeutic (Body marking) --- Marking, Body --- Non-therapeutic body modification (Body marking) --- Beauty, Personal --- Manners and customs --- Ceremonies --- Cult --- Cultus --- Ecclesiastical rites and ceremonies --- Religious ceremonies --- Religious rites --- Rites of passage --- Traditions --- Ritualism --- Mysteries, Religious --- Ritual --- Interpretation, Psychoanalytic --- Psychoanalytical Interpretation --- Interpretation, Psychoanalytical --- Interpretations, Psychoanalytic --- Interpretations, Psychoanalytical --- Psychoanalytic Interpretations --- Psychoanalytical Interpretations --- Rituals --- Behavior, Ceremonial --- Behaviors, Ceremonial --- Ceremonial Behaviors --- Appetitive Behavior --- Cultural Anthropology --- Ethnography --- Ethnographies --- Qualitative Research --- Antropologie: religie, riten, magie, hekserij --- Antropologie: methoden en technieken --- Material Culture --- Culture, Material --- Material Cultures --- Anthropology, Cultural --- Ceremonial Behavior --- Psychoanalytic Interpretation --- Human body - Social aspects --- Psychanalyse --- Anthropologie --- Rites
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Philosophy of language --- Merleau-Ponty, Maurice --- Fenomenologie --- Linguistique --- Phénoménologie --- Taalkunde --- Human body (Philosophy) --- Corps humain (Philosophie) --- Merleau-Ponty, Maurice, --- Language --- Language. --- Body, Human (Philosophy) --- Philosophy --- -Language --- Contributions in philosophy of language --- Merleau-Ponty, Maurice, - 1908-1961 - Language --- Merleau-Ponty, Maurice, 1908-1961 --- Merleau-Ponty, Jean Jacques Maurice, --- Merlō-Ponty, Mōris, --- Ponty, Jean Jacques Maurice Merleau-, --- Ponty, Maurice Merleau-, --- מרלו־פונטי, מוריס, --- Merleau-Ponty, Maurice (1908-1961) --- Philosophie du langage --- Critique et interprétation --- Merleau-Ponty, Maurice, - 1908-1961
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How Dada is to break its cultural accommodation and containment today necessitates thinking the historical instances through revised application of critical and theoretical models. The volume Dada Culture: Critical Texts on the Avant-Garde moves precisely by this motive, bringing together writings which insist upon the continuity of the early twentieth-century moment now at the start of the twenty-first. Engaging the complex and contradictory nature of Dada strategies, instanced in the linguistic gaming and performativity of the movement’s initial formation, and subsequently isolating the specific from the general with essays focusing on Ball, Tzara, Serner, Hausmann, Dix, Heartfield, Schwitters, Baader, Cravan and the exemplary Duchamp, the political philosophy of the avant-garde is brought to bear upon our own contemporary struggle through critical theory to comprehend the cultural usefulness, relevance, validity and effective (or otherwise) oppositionality of Dada’s infamous anti-stance. The volume is presented in sections that progressively point towards the expanding complexity of the contemporary engagement with Dada, as what is often exhaustive historical data is forced to rethink, realign and reconfigure itself in response to the analytical rigour and exercise of later twentieth-century animal anarchic thought, the testing and cultural placement of thoughts upon the virtual, and the eventual implications for the once blissfully unproblematic idea of expression. From the opening, provocative proposition that historically Dada may have been the falsest of all false paths , the volume rounds to dispute such condemnation as demarcation continues not only of Dada’s embeddedness in western culture, but more precisely of the location of Dada culture . Ten critical essays – by Cornelius Partsch, John Wall, T. J. Demos, Anna Schaffner, Martin I. Gaughan, Curt Germundson, Stephen C. Foster, Dafydd Jones, Joel Freeman and David Cunningham – are supplemented by the critical bibliography prepared by Timothy Shipe, which documents the past decade of Dada scholarship, and in so doing provides a valuable resource for all those engaged in Dada studies today.
Dadaism --- Avant-garde (Aesthetics) --- Human figure in art --- History --- Influence --- Human figure in art. --- History. --- Influence. --- Art --- Comparative literature --- Philosophy and psychology of culture --- anno 1900-1999 --- Human body in art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Dada --- Tabu-Dadaism --- Arts, Modern --- Aesthetics --- Modernism (Art) --- Dadaism - History --- Dadaism - Influence --- Avant-garde (Aesthetics) - History - 20th century --- Dadaïsme --- Dadaïsme --- Avant-garde --- Duchamp, Marcel
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Ouvrage publié à l'occasion de l'exposition Qu'est-ce qu'un corps ? présentée dans la galerie Ouest du musée du quai Branly du 23 juin 2006 au 25 novembre 2007.
Human body --- Human figure in art --- Body art --- Art, West African --- Art, European --- Art --- Corps humain --- Corps humain dans l'art --- Art corporel --- Art ouest-africain --- Art européen --- Social aspects --- Exhibitions --- Exhibitions. --- Aspect social --- Exposition --- Expositions --- Body, Human --- Body art. --- Ethno-anthropology - Body - Primitive arts --- Art européen --- Body, Human - Social aspects - Exhibitions. --- Human figure in art - Exhibitions. --- CORPS HUMAIN --- DANS L'ART --- Corps --- Ethnologie --- Anthropologie --- Arts --- Représentation
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Vesalius, Andreas --- Biographies --- Geneeskunde --- Levensbeschrijvingen --- Médecine --- Vésale, André --- Human anatomy --- Anatomie humaine --- Early works to 1800. --- Ouvrages avant 1800 --- Vesalius, Andreas, --- History of Medicine. --- Biography. --- Anatomists --- 378.4 <493 LEUVEN> --- -Human anatomy --- -Anatomy, Human --- Anatomy --- Human biology --- Medical sciences --- Human body --- Biologists --- Medical scientists --- Scientists --- Universiteiten--België--LEUVEN --- Biography --- Early works to 1800 --- -Universiteiten--België--LEUVEN --- 378.4 <493 LEUVEN> Universiteiten--België--LEUVEN --- Vesal, Andreas --- Vesale, André --- Vezalij, Andrej --- Belgium --- 378.4 <493 LEUVEN> Universities--Belgium--LEUVEN --- Universities--Belgium--LEUVEN --- Human anatomy - Early works to 1800 --- Anatomists - Belgium - Biography. --- Human anatomy - Early works to 1800. --- VESALE André --- Seizième siècle
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