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This book deals with some (fragmentary) poems of Alcaeus, Archilochus, Hipponax and Stesichorus. The choice of the poems was determined by external factors: all of them are written on papyrus and were first published during the last few decades. After the first edition the fragments were discussed by many scholars, mainly in periodicals. The authors of this volume have assembled the results of this scholarly work and used it as a foundation for a carefully contituted text and an extensive overall commentary. In this way the poems will be more easily accessible than they were hitherto.
Classical Greek literature --- Manuscripts, Greek (Papyri) --- Greek poetry --- Greek Poetry --- Papyrus grecs --- Poésie grecque --- History and criticism --- Criticism, Textual --- Histoire et critique --- Critique textuelle --- Archilochus --- Hipponax, --- Alcaeus --- Stesichorus --- Manuscripts. --- Manuscripts --- 875-1 --- Greek papyri --- Papyri, Greek --- Manuscripts, Classical (Papyri) --- Manuscripts (Papyri) --- Greek literature --- Griekse literatuur: poëzie --- -Archilochos, --- Archiloque --- Archiloco --- Arquiloco --- Ἀρχίλοχος --- -Manuscripts --- 875-1 Griekse literatuur: poëzie --- -Archiloque --- Arkhilokhos --- Poésie grecque --- Archilochus. --- Archiloque. --- Griekse poëzie. --- Greek poetry. --- Archiloch --- Archilochos, --- Greek poetry - Manuscripts --- Archilochus - Manuscripts
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This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end.
Iambic poetry, Classical --- Greek language --- Latin language --- Latin literature --- Poésie iambique ancienne --- Grec (Langue) --- Latin (Langue) --- Littérature latine --- History and criticism. --- Metrics and rhythmics. --- Greek influences. --- Histoire et critique --- Métrique et rythmique --- Influence grecque --- Archilochus --- Criticism and interpretation. --- Influence. --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Classical iambic poetry --- Classical poetry --- Archilochos, --- Archiloque --- Archiloco --- Arquiloco --- Ἀρχίλοχος --- Arkhilokhos --- Poésie iambique ancienne --- Littérature latine --- Métrique et rythmique --- Metrics and rhythmics --- History and criticism --- Greek influences
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Poets, Greek --- Poètes grecs --- Biography --- Biographies --- Archilochus --- Elegiac poetry, Greek --- Iambic poetry, Greek --- History and criticism --- -Iambic poetry, Greek --- -Poets, Greek --- -Greek poets --- Greek iambic poetry --- Greek poetry --- Greek elegiac poetry --- Archilochos, --- Archiloque --- Archiloco --- Arquiloco --- Ἀρχίλοχος --- History and criticism. --- Biography. --- Archilochus. --- Paros Island (Greece) --- -History and criticism --- Arkhilokhos --- Poètes grecs --- Dēmos Parou (Greece) --- Dímos Párou (Greece) --- Minoa (Greece) --- Minoïs (Greece) --- Nísos Páros (Greece) --- Δήμος Πάρου (Greece) --- Πάρος (Greece : Municipality) --- Île de Paros (Greece) --- Elegiac poetry, Greek - History and criticism --- Iambic poetry, Greek - History and criticism --- Poets, Greek - Biography
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