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betrothals --- Uylenburgh, Saskia --- Rembrandt
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Painting --- History --- drawing [image-making] --- Uylenburgh, Saskia --- Rembrandt --- anno 1600-1699 --- Netherlands
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History of civilization --- marriage [social construct] --- weddings [ceremonies] --- Uylenburgh, Saskia --- Rembrandt
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Introduction: why rethink Rembrandt? / Michael Zell Rembrandt and Saskia: art, commerce, and the poetics of portraiture / Stephanie S. Dickey Bridal decorum and dangerous looks: Rembrandt's Wedding Feast of Samson (1638) / H. Rodney Nevitt, Jr. Homer, Raphael, Rembrandt: reading Vulcan's Net / Amy Golahny Accidents will happen: the case of The Nightwatch / Margaret D. Carroll Rembrandt van Rijn and Gerrit Dou: an evolving relationship? / Ivan Gaskell Works do not make an oeuvre: Rembrandt's self-portraits as a category / Charles Ford A business partner and a pupil: two conjectural essays on Rembrandt's entourage / John Michael Montias Rembrandt's declaration of bankruptcy / Paul Crenshaw The gift among friends: Rembrandt's art in the network of his patronal and social relations / Michael Zell Rembrandt in the nineties / Catherine B. Scallen
self-portraits --- patronage --- Dou, Gerard --- Rembrandt --- Raphael --- Uylenburgh, Saskia --- kunsthandel --- Rembrandt van Rijn --- Dou, Gerrit --- kunsthandel. --- Rembrandt. --- Dou, Gerrit.
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Partenaires --- Painting --- Images of women --- Biographical details --- Book --- Uylenburgh, Saskia --- Dircx, Geertje --- Zuytbrouck, van, Neeltgen --- Rembrandt --- Stoffels, Hendrickje --- anno 1600-1699 --- Netherlands
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This is the first monograph devoted to Rembrandt's etched portraits of himself and his contemporaries. Between 1633 and 1665, Rembrandt etched less than two dozen formal portraits, yet this small body of work includessome of his most finely crafted and widely sought-after prints. Rembrandt depicted influential preachers of the Remonstrant, Reformed and Mennonite faiths as well as prominent citizens such as the tax administrator Jan Wtenbogaert, the wealthy connoisseur Jan Six, the physician Arnout Tholinxand the landscape painter Jan Asselijn. Most of these men participated in a circle of artists, poets and patrons who thought of themselves as a "Dutch Parnassus." For this community of art lovers, the celebration of individual character and accomplishment, in products ranging from imposing portrait sculptures to witty occasional verses, was a central preoccupation. This book brings together contextual evidence such as preparatory studies, inscribed copies, and literary responses of Rembrandt's etched portraits
portraits --- Graphic arts --- Rembrandt --- portretten --- grafiek --- Rembrandt van Rijn --- Uylenburgh, Saskia van --- Sylvius, Jan Cornelis --- Wtenbogaert, Johannes --- Anslo, Cornelis Claesz --- Savery, Salomon --- Wybma, Reynerus --- Vondel, Joost van den --- Six, Jan --- Lutma, Jan --- Lievens, Jan --- Bueno, Ephraim --- Jonghe, Clement de --- Tholinx, Arnout --- Francen, Abraham --- Coppenol, Lieven van --- prints [visual works] --- portretten. --- Rembrandt. --- Uylenburgh, Saskia van. --- Sylvius, Jan Cornelis. --- Wtenbogaert, Johannes. --- Anslo, Cornelis Claesz. --- Savery, Salomon. --- Wybma, Reynerus. --- Vondel, Joost van den. --- Six, Jan. --- Lutma, Jan. --- Lievens, Jan. --- Bueno, Ephraim. --- Jonghe, Clement de. --- Tholinx, Arnout. --- Francen, Abraham. --- Coppenol, Lieven van. --- Uylenburgh, Saskia
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