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Rembrandt's so-called betrothal
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Year: 2019

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[ Observations on the Motif of Saskia's drooping head in the Drawings by Rembrandt during the 1630s] [Japans]
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Rembrandt & Saskia : love and marriage in the Dutch Golden Age

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Rethinking Rembrandt
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ISBN: 9040096732 Year: 2002 Publisher: Zwolle Waanders Publishers

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Introduction: why rethink Rembrandt? / Michael Zell 
Rembrandt and Saskia: art, commerce, and the poetics of portraiture / Stephanie S. Dickey 
Bridal decorum and dangerous looks: Rembrandt's Wedding Feast of Samson (1638) / H. Rodney Nevitt, Jr. 
Homer, Raphael, Rembrandt: reading Vulcan's Net / Amy Golahny 
Accidents will happen: the case of The Nightwatch / Margaret D. Carroll 
Rembrandt van Rijn and Gerrit Dou: an evolving relationship? / Ivan Gaskell 
Works do not make an oeuvre: Rembrandt's self-portraits as a category / Charles Ford 
A business partner and a pupil: two conjectural essays on Rembrandt's entourage / John Michael Montias 
Rembrandt's declaration of bankruptcy / Paul Crenshaw 
The gift among friends: Rembrandt's art in the network of his patronal and social relations / Michael Zell 
Rembrandt in the nineties / Catherine B. Scallen



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Rembrandts vrouwen
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ISBN: 9789035136908 Year: 2012 Publisher: Amsterdam Bakker

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Rembrandt : portraits in print
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ISBN: 9027253390 1588114988 Year: 2004 Volume: 9 Publisher: Amsterdam Benjamins

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This is the first monograph devoted to Rembrandt's etched portraits of himself and his contemporaries. Between 1633 and 1665, Rembrandt etched less than two dozen formal portraits, yet this small body of work includessome of his most finely crafted and widely sought-after prints. Rembrandt depicted influential preachers of the Remonstrant, Reformed and Mennonite faiths as well as prominent citizens such as the tax administrator Jan Wtenbogaert, the wealthy connoisseur Jan Six, the physician Arnout Tholinxand the landscape painter Jan Asselijn. Most of these men participated in a circle of artists, poets and patrons who thought of themselves as a "Dutch Parnassus." For this community of art lovers, the celebration of individual character and accomplishment, in products ranging from imposing portrait sculptures to witty occasional verses, was a central preoccupation. This book brings together contextual evidence such as preparatory studies, inscribed copies, and literary responses of Rembrandt's etched portraits

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