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Amateur plays. --- Acting. --- Shakespeare, William, --- Dramatic production.
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Amateur plays --- Theater --- Théâtre
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This book is offered as a preliminary survey of some of the technical questions involved in writing and staging pageants and community drama. The main purpose has been to make the suggestions as practical as possible. For this reason there has been no attempt to trace the history of the various dramatic types discussed, nor to deal too abstractly with theories of the drama.
Amateur plays. --- Amateur plays. --- Pageants. --- Pageants. --- Spectacles historiques. --- Théâtre d'amateurs. --- pageants.
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Pageants --- Amateur plays --- Performing arts --- Festivals --- Processions --- History
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Restaging the Past is the first edited collection devoted to the study of pageants in Britain, ranging from its Edwardian origins to the present day. The volume highlights pageants as a key aspect of community history during a period of great social and political change.
Pageants --- History --- Great Britain --- Social life and customs --- Amateur plays --- Performing arts --- Festivals --- Processions
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Amateur plays --- Drama --- Théâtre (Genre littéraire) --- Bibliography --- Bibliography --- Bibliographie
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In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:Max Reinhardt's new people's theatrethe mass spectacles of post-revolutionary RussiaAmerican Zionist pageantsthe Olympic Games.In offering both a performative and a semiotic analysis of suc
Pageants. --- Theater. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Amateur plays --- Festivals --- Processions --- Pageants --- Theater
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Virginia Woolf's extraordinary last novel, Between the Acts, was published in July 1941. In the weeks before she died in March that year, Woolf wrote that she planned to continue revising the book and that it was not ready for publication. Her husband prepared the work for publication after her death, and his revisions have become part of the text now widely read by students and scholars. Unlike most previous editions, the Cambridge edition returns to the final version of the novel as Woolf left it, examining the stages of composition and publication. Using the final typescript as a guide, this edition fully collates all variants and thus accounts for all the editorial decisions made by Leonard Woolf for the first published edition. With detailed explanatory notes, a chronology and an informative critical introduction, this volume will allow scholars to develop a fuller understanding of Woolf's last work.
Country homes --- Pageants --- Amateur plays --- Performing arts --- Festivals --- Processions --- Architecture, Rural --- Rural architecture --- Dwellings --- Park gate lodges --- English literature --- Great Britain --- Social life and customs
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