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Photographs --- Photography --- Photography in literature --- September 11 Terrorist Attacks, 2001 --- Psychological aspects --- Social aspects --- Barthes, Roland --- Evans, Walker, --- Van Der Zee, James, --- 77.01 --- 9/11 Terrorist Attacks, 2001 --- 911 Terrorist Attacks, 2001 --- Attack on America, 2001 (September 11 Terrorist Attacks) --- Nine-Eleven Terrorist Attacks, 2001 --- Pentagon-World Trade Center Terrorist Attacks, 2001 --- Sept. 11 Terrorist Attacks, 2001 --- September 11 Terror Attacks, 2001 --- September 11 Terrorism, 2001 --- Terrorist Attacks, September 11, 2001 --- World Trade Center-Pentagon Terrorist Attacks, 2001 --- Hijacking of aircraft --- Terrorism --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Barthes, Roland. --- Van DerZee, James, --- VanDerZee, James, --- Photographs - Psychological aspects --- Photography - Social aspects --- Barthes, Roland - Chambre claire --- Evans, Walker, - 1903-1975 --- Van Der Zee, James, - 1886-1983

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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.

77.01 --- fotografietheorie --- fotografie --- Barthes Roland --- semiotiek --- La chambre claire --- psychoanalyse --- fotografie en psychoanalyse --- boeddhisme --- fotografie en boeddhisme --- filosofie --- kunsttheorie --- 7.01 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Photographie. --- Kunstbeschouwing. --- Photographic criticism --- Photography, Artistic --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography criticism --- Criticism --- Philosophy --- Aesthetics --- Barthes, Roland. --- Fotografie. --- Philosophie. --- Photographic criticism. --- Photography, Artistic. --- Philosophy. --- PHL-Research 13 --- kunst --- Critique photographique --- Photographie --- Photographie artistique --- Philosophie